{"id":4111,"date":"2026-05-29T00:05:25","date_gmt":"2026-05-28T22:05:25","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=4111"},"modified":"2026-05-28T17:24:00","modified_gmt":"2026-05-28T15:24:00","slug":"la-confession-sans-fard-de-lucie-morel","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2026\/05\/29\/la-confession-sans-fard-de-lucie-morel\/","title":{"rendered":"La confession sans fard de Lucie Morel"},"content":{"rendered":"

La maladie s\u2019est invit\u00e9e dans la bande dessin\u00e9e contemporaine comme un sujet majeur. Un sujet qui inspire pas mal d\u2019albums dispensables, mais qui a aussi donn\u00e9 des ouvrages m\u00e9morables, comme L\u2019Ascension du Haut Mal<\/em>, o\u00f9 David B \u00e9voquait l\u2019\u00e9pilepsie de son fr\u00e8re, ou, plus r\u00e9cemment, Imp\u00e9n\u00e9trable<\/em>, d\u2019Alix Garin, sur une pathologie encore tabou\u00a0: le vaginisme. Les maladies mentales ne sont pas en reste, ce qui n\u2019est pas pour surprendre dans une soci\u00e9t\u00e9 dont l\u2019\u00e9tat psychiatrique est de plus en plus pr\u00e9occupant. Je ne citerai que quelques albums\u00a0: Chute libre<\/em>, de Mademoiselle Caroline, C\u2019est comme \u00e7a que je disparais<\/em>, de Mirion Malle, Ma Vie en toc<\/em>, de Jason Adam Katzenstein ou encore Le Passage<\/em>, de Mathieu Persan.<\/p>\n

Avec Toc Toc<\/em>, Lucie Morel s\u2019avance donc sur un terrain d\u00e9j\u00e0 plut\u00f4t encombr\u00e9, mais elle partage son exp\u00e9rience des troubles obsessionnels compulsifs avec une fra\u00eecheur et une originalit\u00e9 dans la forme r\u00e9jouissantes, et ce n\u2019est que justice si son album, paru voici quelques mois, s\u2019est vu d\u00e9cerner un prix au festival Formula Bula. Si l\u2019image de couverture, d\u2019apr\u00e8s une photo de classe, para\u00eet inscrire son parcours de vie dans le collectif, c\u2019est bien une exp\u00e9rience singuli\u00e8re qui nous est cont\u00e9e, au plus intime, comme le revendiquent les premiers mots\u00a0du livre : \u00ab \u00c7a, c\u2019est moi \u00bb.<\/p>\n

\"\"<\/p>\n

\u00c2g\u00e9e de trente-cinq ans, Lucie Morel a le pouvoir de ressusciter toutes les \u00e9motions de l\u2019enfance et de l\u2019adolescence, y compris les inqui\u00e9tudes m\u00e9taphysiques propres \u00e0 cet \u00e2ge. Effray\u00e9e \u00e0 l\u2019id\u00e9e que sa m\u00e8re meure dans un accident, elle s\u2019enferme dans des rituels conjuratoires. Cependant, et c\u2019est l\u2019une des r\u00e9ussites du livre, la fronti\u00e8re entre le normal et le pathologique reste longtemps incertaine, informul\u00e9e. Son p\u00e8re lui dit d\u2019arr\u00eater de se comporter de mani\u00e8re \u00e9trange, mais ses grimaces, ses b\u00eatises, ses obsessions, sont d\u2019abord mises sur le compte de son \u00e2ge et d\u2019une sensibilit\u00e9 peut-\u00eatre trop affirm\u00e9e. Il faut pas mal de temps avant que ses d\u00e9bordements soient nomm\u00e9s, diagnostiqu\u00e9s.<\/p>\n

L\u2019instabilit\u00e9 de Lucile, les pics \u00e9motionnels qui la traversent, sa soumission aux peurs (dont l\u2019\u00e9num\u00e9ration p\u00e9riodiquement reprise et actualis\u00e9e scande l\u2019avanc\u00e9e en \u00e2ge) se refl\u00e8tent dans son dessin. Les bonhommes grotesques, trac\u00e9s \u00e0 la mani\u00e8re de dessins d\u2019enfant (en filiation avec la \u00ab niaiserie d\u2019ex\u00e9cution \u00bb revendiqu\u00e9e par T\u00f6pffer et la \u00ab culture potachique \u00bb de son disciple revendiqu\u00e9 Alfred Jarry), alternent contrapuntiquement avec des images tout aussi color\u00e9es mais d\u2019un r\u00e9alisme pouss\u00e9, dessin\u00e9es d\u2019apr\u00e8s photo. Je n\u2019ai pu m\u2019emp\u00eacher de penser \u00e0 Claire Bret\u00e9cher, qui, parall\u00e8lement \u00e0 sa production satirique au trait faussement spontan\u00e9, faisait de remarquables portraits au pastel. Un peu enfantine elle aussi, la graphie du texte manuscrit, trac\u00e9 au crayon, ne contribue pas peu \u00e0 nous immerger dans la coh\u00e9rence d\u2019une vision r\u00e9trospective d\u2019une rare justesse. Au fond, tous les dessins sont ici contrefaits, les uns d\u2019apr\u00e8s des documents de l\u2019archive familiale, les autres d\u2019apr\u00e8s les codes du geste enfantin. Et c\u2019est \u00e0 travers cette double pratique mim\u00e9tique, ce double emprunt, que, paradoxalement, Lucile touche au vrai.<\/p>\n

\"\"<\/p>\n

\u00ab On fait tous partie des \u201cautres\u201d des autres \u00bb, explique Lucile \u00e0 l\u2019une de ses copines. D\u00e9sormais, la dessinatrice de Toc Toc<\/em>, par son culot, sa franchise et son talent, est une autre qui compte pour nous et comptera longtemps.<\/p>\n

[ Luie Morel, Toc Toc<\/em>, M\u00eame pas mal, non pagin\u00e9, 25 \u20ac. ISBN 978-2-918645-83-2 ]<\/p>\n","protected":false},"excerpt":{"rendered":"

La maladie s\u2019est invit\u00e9e dans la bande dessin\u00e9e contemporaine comme un sujet majeur. Un sujet qui inspire pas mal d\u2019albums dispensables, mais qui a aussi donn\u00e9 des ouvrages m\u00e9morables, comme L\u2019Ascension du Haut Mal, o\u00f9 David B \u00e9voquait l\u2019\u00e9pilepsie de son fr\u00e8re, ou, plus r\u00e9cemment, Imp\u00e9n\u00e9trable, d\u2019Alix Garin, sur une pathologie encore tabou\u00a0: le […]<\/p>\n","protected":false},"author":1,"featured_media":4115,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-4111","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nLa confession sans fard de Lucie Morel - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2026\/05\/29\/la-confession-sans-fard-de-lucie-morel\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La confession sans fard de Lucie Morel - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"La maladie s\u2019est invit\u00e9e dans la bande dessin\u00e9e contemporaine comme un sujet majeur. 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