{"id":4092,"date":"2026-05-09T00:05:21","date_gmt":"2026-05-08T22:05:21","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=4092"},"modified":"2026-05-08T18:33:08","modified_gmt":"2026-05-08T16:33:08","slug":"fabio-viscogliosi-entre-les-notes","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2026\/05\/09\/fabio-viscogliosi-entre-les-notes\/","title":{"rendered":"Fabio Viscogliosi entre les notes"},"content":{"rendered":"

Sous un titre qui ne ressemble \u00e0 rien, Rococo notes<\/em>, voici un livre qui ne s\u2019inscrit dans aucun genre d\u00e9fini. De courts fragments en prose y sont plac\u00e9s en vis-\u00e0-vis de dessins en pleine page cens\u00e9s les illustrer. La plupart mettent en sc\u00e8ne un m\u00eame protagoniste, un \u00e2ne anthropomorphe, un peu dandy, toujours une cigarette aux l\u00e8vres ou \u00e0 la main. On aura reconnu le personnage arch\u00e9typique de Fabio Viscogliosi \u2013 dont j\u2019avais d\u00e9j\u00e0 comment\u00e9 ici un pr\u00e9c\u00e9dent livre, Cascade<\/em> [https:\/\/www.thierry-groensteen.fr\/index.php\/2025\/03\/07\/fabio-fragments-fatras\/<\/a>] \u2013, personnage qu\u2019il d\u00e9crit lui-m\u00eame (p. 15) comme \u00ab dot\u00e9 de traits de caract\u00e8re apparemment contradictoires \u2013 la force et la fragilit\u00e9, la douceur et l\u2019ent\u00eatement, l\u2019intelligence et l\u2019idiotie conjugu\u00e9s \u2013, tr\u00e8s humain, finalement. \u00bb<\/p>\n

\"\"

\u00a9 Actes Sud<\/p><\/div>\n

\"\"Il n\u2019y a pas d\u2019avant-propos ou d\u2019indication g\u00e9n\u00e9rique pour expliciter le sujet de ce livre. \u00ab\u00a0Faire la somme de ce qui compte vraiment \u00bb, comme il est \u00e9crit page 197, telle est, sans doute, la finalit\u00e9 d\u2019un recueil qui n\u2019ob\u00e9it \u00e0 aucun plan particulier et peut revendiquer une sorte de cousinage avec ces ouvrages aim\u00e9s de l\u2019auteur, les Carnets <\/em>de Scott Fitzgerald ou les Notes de chevet<\/em> de Sei Sh\u00f4nagon. Mais c\u2019est assur\u00e9ment le dessin qui s\u2019affirme comme le th\u00e8me le plus constant des m\u00e9ditations du jeune sexag\u00e9naire Fabio Viscogliosi. Qu\u2019il parle de son envie de s\u2019immerger dans les d\u00e9cors de Barks ou de Franquin, qu\u2019il rapporte une conversation t\u00e9l\u00e9phonique avec son ami Blutch, qu\u2019il disserte sur le trait (p. 58), le cadre (98) ou la perspective (157), qu\u2019il confie son plaisir \u00e0 dessiner de l\u2019architecture ou des cafeti\u00e8res italiennes, qu\u2019il rende hommage \u00e0 Bret\u00e9cher (61), Masereel (149), Schulz (190) ou Steinberg (233), c\u2019est en dessinateur qu\u2019il s\u2019exprime, m\u00fb par la volont\u00e9 de r\u00e9fl\u00e9chir sa pratique et de partager ses admirations \u2013 plus rarement comme le musicien qu\u2019il est aussi.<\/p>\n

M\u00eame quand il ne parle pas explicitement de sa production graphique, certaines de ses phrases ne peuvent manquer d\u2019y ramener le lecteur. Ainsi, d\u00e8s le premier texte, lorsqu\u2019il \u00e9voque une excursion en voiture au milieu d\u2019un paysage fait d\u2019\u00ab arbres, buissons, poteaux \u00e9lectriques, conteneurs et usines \u00e0 l\u2019horizon, tous semblables aux reliefs d\u2019une maquette grandeur nature \u00bb, on croit \u00e0 une \u00e9vocation de certaines des images de Cascade<\/em>. \u00c9vocation qui se pr\u00e9cise plus loin (p. 93)\u00a0: \u00ab On pourrait constituer un catalogue de toutes ces mati\u00e8res qui traversent l\u2019histoire du dessin et de la peinture \u00bb\u00a0: le faux bois, les faux nuages, la fausse neige, le faux tissu. Et page 135 o\u00f9 l\u2019on peut lire que le paysage, \u00ab pour peu qu\u2019on s\u2019y attarde, appara\u00eet comme un tout, un organisme vivant o\u00f9 les formes et les contre-formes ne cessent de s\u2019agencer. Buissons, falaises, ciel, rivi\u00e8res, cailloux, lignes de cr\u00eate, routes, ponts, nuages, fum\u00e9es, constructions diverses en deviennent les acteurs, au m\u00eame titre qu\u2019une fine silhouette ou un couple de choucas qui auraient l\u2019audace de s\u2019y aventurer. \u00bb<\/p>\n

\"Fabio

\u00a9 Actes Sud<\/p><\/div>\n

M\u00eame la cigarette dont ne se d\u00e9partit presque jamais son personnage d\u2019\u00e2ne trouve peut-\u00eatre son explication dans un biograph\u00e8me, le fait que, lorsqu\u2019il revoit son p\u00e8re, celui-ci, dans sa m\u00e9moire, arbore \u00ab une Dunhill aux l\u00e8vres \u00bb.<\/p>\n

Ainsi, ce livre personnel, l\u00e9ger, o\u00f9 le lecteur est loisible de butiner, et dont il peut m\u00eame se contenter de regarder les images, compose par petites touches une sorte d\u2019art po\u00e9tique, et constitue un commentaire sur l\u2019ensemble de la production graphique de l\u2019auteur, laquelle compte une quinzaine de recueils. Jusqu\u2019ici, \u00e0 l\u2019exception des quelques grands th\u00e9oriciens (T\u00f6pffer, Eisner, McCloud, Menu), les auteurs de bande dessin\u00e9e commentaient peu leur travail. Apr\u00e8s le Journal <\/em>de Jochen Gerner paru fin 2024 et pr\u00e9sent\u00e9 ici m\u00eame [https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/11\/01\/journal-dun-dess\u2026ur-tous-terrains\/<\/a>], voici donc un nouvel exemple de dessinateur qui trouve la forme ad\u00e9quate pour doubler sa pratique d\u2019un discours.<\/p>\n

[Fabio Viscogliosi, Rococo notes<\/em>, Actes Sud, 252 pages, 26 \u20ac. ISBN 978-2-330-22018-1.]<\/p>\n","protected":false},"excerpt":{"rendered":"

Sous un titre qui ne ressemble \u00e0 rien, Rococo notes, voici un livre qui ne s\u2019inscrit dans aucun genre d\u00e9fini. De courts fragments en prose y sont plac\u00e9s en vis-\u00e0-vis de dessins en pleine page cens\u00e9s les illustrer. La plupart mettent en sc\u00e8ne un m\u00eame protagoniste, un \u00e2ne anthropomorphe, un peu dandy, toujours une […]<\/p>\n","protected":false},"author":1,"featured_media":4097,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-4092","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nFabio Viscogliosi entre les notes - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2026\/05\/09\/fabio-viscogliosi-entre-les-notes\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fabio Viscogliosi entre les notes - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"Sous un titre qui ne ressemble \u00e0 rien, Rococo notes, voici un livre qui ne s\u2019inscrit dans aucun genre d\u00e9fini. 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