{"id":3976,"date":"2026-02-02T13:12:07","date_gmt":"2026-02-02T12:12:07","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=3976"},"modified":"2026-02-02T13:12:07","modified_gmt":"2026-02-02T12:12:07","slug":"angouleme-meme-pas-mort","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2026\/02\/02\/angouleme-meme-pas-mort\/","title":{"rendered":"Angoul\u00eame m\u00eame pas mort"},"content":{"rendered":"

En d\u00e9pit d\u2019une m\u00e9t\u00e9o maussade, le Grand Off aura plut\u00f4t fait bonne figure. Les conf\u00e9rences et d\u00e9bats propos\u00e9s quatre jours durant au Lieu utile ont \u00e9t\u00e9 tr\u00e8s suivis. Si le public \u00e9tait des plus clairsem\u00e9s jeudi (mais 136 classes \u00e9taient re\u00e7ues pour des visites ou des ateliers), durant le week-end on a pu observer des files d\u2019attente non n\u00e9gligeables pour le \u00ab train-fant\u00f4me \u00bb de Blanquet au Vaisseau Moebius et pour la projection du nouveau film d\u2019Ocelot dans la cour de l\u2019H\u00f4tel de Ville.<\/p>\n

\"\"

Jeudi \u00e0 14 h 30, la rue Herg\u00e9 \u00e9tait encore… plut\u00f4t calme.<\/p><\/div>\n

Quelques expositions ont retenu mon attention : l\u2019\u00ab Office du tourisme de la bande dessin\u00e9e \u00bb au mus\u00e9e des beaux-arts, une expo parodique assez anecdotique mais dr\u00f4le, con\u00e7ue par Fred Felder\u00a0; celle consacr\u00e9e \u00e0 Genis Rigol (Brunilda a la Plata<\/em>), Dimitri Tsekenis (La Timidit\u00e9 des arbres<\/em>) et l\u2019illustratrice Hajar Moradi \u00e0 l\u2019H\u00f4tel Saint-Simon\u00a0;\u00a0celles, aussi, de Richard Marazano et de Gus Bofa au Lieu utile \u2013 le premier cit\u00e9 pr\u00e9pare un livre sur un peintre orientaliste fictif et a pr\u00e9vu de r\u00e9aliser lui-m\u00eame quelque 200 \u0153uvres \u00e0 l\u2019huile et \u00e0 la tempera qui lui seront attribu\u00e9es, il en exposait deux ou trois dizaines. Dans un registre voisin, Nathalie Ferlut et Thierry Lepr\u00e9vost proposaient \u00ab L\u2019Extraordinaire Disparition de Winson Nowhere \u00bb pour d\u00e9couvrir un soi-disant dessinateur \u00e0 la fois culte et m\u00e9connu.<\/p>\n

\"\"

Richard Marazano (au centre) pr\u00e9sentant son exposition<\/p><\/div>\n

 <\/p>\n

\"\"

\u00c0 l’H\u00f4tel Saint-Simon<\/p><\/div>\n

L\u2019Espace Franquin et une librairie Cosmopolite d\u00e9multipli\u00e9e, qui accueillaient des auteurs en d\u00e9dicace, \u00e9taient tr\u00e8s fr\u00e9quent\u00e9s. Il s\u2019agissait essentiellement d\u2019artistes locaux, mais on notait la pr\u00e9sence de quelques auteurs de renom comme Emile Bravo, Dominique Bertail, Claire Braud ou Wilfrid Lupano. Un \u00e9tage \u00e9tait r\u00e9serv\u00e9 \u00e0 l\u2019accueil des auteurs qui pratiquent l\u2019auto\u00e9dition et que l\u2019on ne voyait jamais, d\u2019ordinaire, \u00e0 Angoul\u00eame car ils n\u2019ont pas les moyens d\u2019y prendre un stand. Ils pratiquent la BD de genre (fantasy, S-F, peplum, humour\u2026) avec un talent tr\u00e8s in\u00e9gal.<\/p>\n

\"\"

Chez les auteurs auto\u00e9dit\u00e9s<\/p><\/div>\n

Du c\u00f4t\u00e9 des \u00e9diteurs, les grands n\u2019\u00e9taient pas l\u00e0, et les alternatifs les plus connus du public (L\u2019Association, Corn\u00e9lius, \u00c7a et l\u00e0) avaient pr\u00e9f\u00e9r\u00e9 investir les manifestations propos\u00e9es, aux m\u00eames dates, dans plusieurs lieux parisiens. Tout de m\u00eame, Flblb, Petit \u00e0 Petit, Akileos, Delirium, Ici M\u00eame, Tanibis, les \u00e9ditions de la Cerise, ou les Requins marteaux, eux, \u00e9taient sur place, la plupart au \u00ab village des \u00e9diteurs \u00bb mont\u00e9 au sein des chais Magelis.<\/p>\n

La Cit\u00e9 de la bande dessin\u00e9e n\u2019a pas pu inaugurer sa grande exposition sur les 40 ans des \u00e9ditions Delcourt, sc\u00e9nographi\u00e9e par l\u2019agence Lucie Lom qui compte en son sein Marc-Antoine Mathieu, l\u2019un des grands auteurs maison\u00a0; elle le sera le 5 f\u00e9vrier. Mais outre le train de Blanquet (installation immersive reprenant un principe d\u00e9j\u00e0 mis en \u0153uvre en 2009 au mus\u00e9e d\u2019Art contemporain de Lyon), elle inaugurait une tr\u00e8s belle exposition patrimoniale consacr\u00e9e \u00e0 Benjamin Rabier, dont la commissaire n’est autre que Marguerite Demo\u00ebte, derni\u00e8re directrice artistique du FIBD \u00e0 avoir \u00e9t\u00e9 licenci\u00e9e par Frank Bondoux sans que l\u2019on sache pourquoi. Elle aurait accueilli quelque 20 000 visiteurs en quatre jours.<\/p>\n

Ainsi, il a \u00e9t\u00e9 d\u00e9montr\u00e9, 1\u00b0 qu\u2019avec des moyens r\u00e9duits mais beaucoup d\u2019\u00e9nergie, de volont\u00e9 et de cr\u00e9ativit\u00e9, il est possible d\u2019organiser une manifestation conviviale, de qualit\u00e9, qui avait en outre pour avantage d\u2019\u00eatre enti\u00e8rement gratuite\u00a0; 2\u00b0 qu\u2019apr\u00e8s plus d\u2019un demi-si\u00e8cle de festival, la bande dessin\u00e9e fait d\u00e9sormais partie de l\u2019ADN de la Cit\u00e9 des Valois, qui n\u2019est pas du tout pr\u00eate \u00e0 tourner la page\u00a0; 3\u00b0 qu\u2019\u00e0 c\u00f4t\u00e9 d\u2019une structure comme 9e<\/sup>Art+, op\u00e9rateur officiel depuis 18 ans, il existe tout un \u00e9cosyst\u00e8me (CIBDI, FRAC, p\u00f4le image MAGELIS, association CapBD, collectifs d\u2019auteurs, \u00e9coles\u2026) qui a de la ressource et de vraies capacit\u00e9s organisationnelles.<\/p>\n

Bien s\u00fbr, ce Grand Off n\u2019avait aucunement la pr\u00e9tention d\u2019\u00e9galer les \u00e9ditions habituelles du festival, ni en termes de fr\u00e9quentation ni s\u2019agissant de la dimension internationale, quasi absente (un stand sur la BD taiwanaise, toutefois, au \u00ab\u00a0pavillon UNESCO \u00bb). Mais ses organisateurs l\u2019ont affirm\u00e9 avec fiert\u00e9 et d\u00e9termination\u00a0: \u00e0 l\u2019avenir, il faudra compter avec eux.<\/p>\n

\"\"

Le stand ta\u00efwanais<\/p><\/div>\n

 <\/p>\n

\"\"

Extrait des pages r\u00e9alis\u00e9es par Genis Rigol pour l’occasion<\/p><\/div>\n

 <\/p>\n

(Photos Thierry Groensteen)<\/p>\n","protected":false},"excerpt":{"rendered":"

En d\u00e9pit d\u2019une m\u00e9t\u00e9o maussade, le Grand Off aura plut\u00f4t fait bonne figure. Les conf\u00e9rences et d\u00e9bats propos\u00e9s quatre jours durant au Lieu utile ont \u00e9t\u00e9 tr\u00e8s suivis. Si le public \u00e9tait des plus clairsem\u00e9s jeudi (mais 136 classes \u00e9taient re\u00e7ues pour des visites ou des ateliers), durant le week-end on a pu observer […]<\/p>\n","protected":false},"author":1,"featured_media":3978,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-3976","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nAngoul\u00eame m\u00eame pas mort - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2026\/02\/02\/angouleme-meme-pas-mort\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Angoul\u00eame m\u00eame pas mort - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"En d\u00e9pit d\u2019une m\u00e9t\u00e9o maussade, le Grand Off aura plut\u00f4t fait bonne figure. 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