{"id":3768,"date":"2025-10-14T00:05:04","date_gmt":"2025-10-13T22:05:04","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=3768"},"modified":"2025-10-06T09:52:42","modified_gmt":"2025-10-06T07:52:42","slug":"vers-linfini-et-au-dela","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2025\/10\/14\/vers-linfini-et-au-dela\/","title":{"rendered":"Vers l\u2019infini et au-del\u00e0"},"content":{"rendered":"

La plus petite BD au monde restera sans doute \u00e0 jamais celle grav\u00e9e au laser sur un cheveu humain par l\u2019Allemande Claudia Puhlf\u00fcrst en 2014, mais le dernier ouvrage de Marc-Antoine Mathieu n\u2019en constitue pas moins un record, s\u2019agissant de l\u2019\u00e9dition fran\u00e7aise. Plus petit que la collection \u00ab\u00a0Patte de mouche \u00bb de l\u2019Association (10,5 x 15 cm), \u00e0 laquelle il a d\u2019ailleurs livr\u00e9 quelque six titres entre 1995 et 2022, plus petit m\u00eame que la collection \u00ab BD\u00e0P \u00bb (BD \u00e0 poster) des \u00e9ditions Roquemoute (7,5 x 10, 5 cm), \u00e0 laquelle ont notamment contribu\u00e9 Fabcaro, T\u00e9hem, Bouzard et Baudoin, voici L\u2019infiniment moyen et plus si affinit\u00e9s dans les limites finies d\u2019une \u00e9dition minimaliste<\/em> (qui, au passage,\u00a0 bat peut-\u00eatre aussi le record du titre le plus long), un mini-livre cartonn\u00e9 de 88 pages, au format 3 x 3,8 cm, commercialis\u00e9 avec une loupe, sous coffret.<\/p>\n

\"\"\"\"<\/p>\n

L\u2019effort demand\u00e9 au lecteur, de d\u00e9chiffrer chaque image, chaque bulle \u00e0 la loupe, sans laquelle elles sont illisibles,\u00a0n\u2019est rien compar\u00e9 \u00e0 celui qui a d\u00fb \u00eatre celui de l\u2019auteur, quand on sait qu\u2019il a r\u00e9alis\u00e9 la prouesse de travailler au format de publication (avec une loupe plus forte, on l\u2019imagine), ce qui explique le trait un peu trembl\u00e9 et le lettrage plus approximatif que ceux auquel Mathieu nous avait habitu\u00e9s.<\/p>\n

La loupe est l\u2019attribut traditionnel du chercheur ou du d\u00e9tective. Or c\u2019est bien d\u2019une enqu\u00eate scientifique qu\u2019il est question ici, conduite par deux personnages, l\u2019un physicien, l\u2019autre philosophe. On peut les tenir pour deux avatars de Mathieu lui-m\u00eame, chez qui la cr\u00e9ation, on le sait, a toujours \u00e9t\u00e9 nourrie par des questionnements scientifiques et philosophiques. Mais il existe un troisi\u00e8me Mathieu, que j\u2019appellerai le joueur<\/em>\u00a0: un Mathieu fac\u00e9tieux et m\u00eame farceur, mais aussi inventif, bricoleur, oubapien sans l\u2019\u00eatre officiellement (trop individualiste pour s\u2019agr\u00e9ger \u00e0 un collectif). Celui-l\u00e0 ne se d\u00e9robe jamais face \u00e0 un jeu de mots (tous ceux auxquels se pr\u00eatent les vocables fin<\/em> et infini<\/em> y passent, mais on go\u00fbtera aussi l\u2019inversion muet comme une taupe \/ myope comme une carpe<\/em>). L\u2019enqu\u00eate a pour sujet l\u2019infini, et il est peu douteux que Mathieu aurait jubil\u00e9 en inversant terme \u00e0 terme la phrase de Pascal le silence \u00e9ternel de ces espaces infinis m\u2019effraie<\/em> (soit\u00a0: le vacarme intermittent des petits coins nous rassure<\/em>) si Paul Val\u00e9ry ne l\u2019avait fait avant lui.<\/p>\n

Ne faut-il pas \u00eatre farceur pour se pencher sur la question de l\u2019infini dans un livre infiniment petit<\/em>\u00a0?<\/p>\n

\"\"<\/p>\n

En d\u00e9pit des dimensions lilliputiennes de l\u2019ouvrage, Mathieu a trouv\u00e9 le moyen d\u2019y glisser des allusions \u00e0 la plupart de ses livres pr\u00e9c\u00e9dents (tous\u00a0?)\u00a0: on retrouve notamment la tasse de caf\u00e9 (La Qu<\/em>\u2026), la mise en abyme (L\u2019Origine<\/em>), la mise en question des cat\u00e9gories de d\u00e9but et de fin (L\u2019\u00c9paisseur des miroirs<\/em>), la prolif\u00e9ration des cadres (Les Sous-Sols du R\u00e9volu<\/em>), etc. Et bien s\u00fbr quelques trouvailles in\u00e9dites, comme les livres-portes qui ouvrent sur de nouvelles connaissances.<\/p>\n

Sur le plan dramaturgique, L\u2019Infiniment moyen<\/em> est assez plat, puisqu\u2019il consiste en un long dialogue sp\u00e9culatif. Les rebondissements, ici, sont d\u2019ordre intellectuel, ou bien ils touchent aux modalit\u00e9s narratives. Mathieu fait en particulier un grand usage de la m\u00e9talepse, cette figure r\u00e9flexive qui consiste en une contamination entre le niveau de la narration et celui des \u00e9v\u00e9nements narr\u00e9s (par exemple en faisant intervenir l\u2019auteur dans le r\u00e9cit). Toutefois, ici, il n\u2019y a pas le niveau (pr\u00e9tendu) r\u00e9el, d\u2019un c\u00f4t\u00e9, et un niveau (assum\u00e9 comme) fictionnel, de l\u2019autre, mais une prolif\u00e9ration de niveaux empil\u00e9s ou embo\u00eet\u00e9s, car on \u00e9volue dans un multivers<\/em>. De sorte que la m\u00e9talepse cesse rapidement d\u2019\u00eatre rh\u00e9torique pour devenir, en quelque sorte (et selon une terminologie que j\u2019emprunte \u00e0 Brian McHale et Marie-Laure Ryan), ontologique<\/em>.<\/p>\n

On le voit, il y a grandement mati\u00e8re \u00e0 r\u00e9fl\u00e9chir et \u00e0 s\u2019\u00e9merveiller dans ce livre minuscule.<\/p>\n

 <\/p>\n

[ Marc-Antoine Mathieu, L\u2019infiniment moyen et plus si affinit\u00e9s dans les limites finies d\u2019une \u00e9dition minimaliste<\/em>, Delcourt, 21,50 \u20ac. EAN\u00a0: 9782413089940 ]<\/p>\n","protected":false},"excerpt":{"rendered":"

La plus petite BD au monde restera sans doute \u00e0 jamais celle grav\u00e9e au laser sur un cheveu humain par l\u2019Allemande Claudia Puhlf\u00fcrst en 2014, mais le dernier ouvrage de Marc-Antoine Mathieu n\u2019en constitue pas moins un record, s\u2019agissant de l\u2019\u00e9dition fran\u00e7aise. Plus petit que la collection \u00ab\u00a0Patte de mouche \u00bb de l\u2019Association (10,5 […]<\/p>\n","protected":false},"author":1,"featured_media":3771,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-3768","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nVers l\u2019infini et au-del\u00e0 - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2025\/10\/14\/vers-linfini-et-au-dela\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vers l\u2019infini et au-del\u00e0 - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"La plus petite BD au monde restera sans doute \u00e0 jamais celle grav\u00e9e au laser sur un cheveu humain par l\u2019Allemande Claudia Puhlf\u00fcrst en 2014, mais le dernier ouvrage de Marc-Antoine Mathieu n\u2019en constitue pas moins un record, s\u2019agissant de l\u2019\u00e9dition fran\u00e7aise. 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