{"id":3738,"date":"2025-09-26T00:05:37","date_gmt":"2025-09-25T22:05:37","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=3738"},"modified":"2025-09-16T08:49:49","modified_gmt":"2025-09-16T06:49:49","slug":"signal-brouille","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2025\/09\/26\/signal-brouille\/","title":{"rendered":"Signal brouill\u00e9"},"content":{"rendered":"

Parmi les albums parus juste avant l\u2019\u00e9t\u00e9, Rouge signal<\/em>, de Laurie Agusti, a \u00e9t\u00e9 l\u2019un des plus remarqu\u00e9s. Il est vrai que sa couverture attire l\u2019attention \u2013 un assortiment de cases plut\u00f4t qu\u2019une grande image\u00a0; il y a peu de pr\u00e9c\u00e9dents (on songe \u00e0 Tango<\/em>, d\u2019Hugo Pratt) \u2013, qu\u2019une s\u00e9duction imm\u00e9diate op\u00e8re au feuilletage, du fait de la vari\u00e9t\u00e9 des mises en page et de la vivacit\u00e9 des couleurs, et que le sujet de l\u2019intrigue, le masculinisme et ses d\u00e9rives, r\u00e9sonne avec l\u2019actualit\u00e9. Il s\u2019agit, de plus, du premier v\u00e9ritable roman graphique d\u2019une jeune autrice connue jusqu\u2019ici pour ses albums jeunesse et quelques r\u00e9cits publi\u00e9s en ligne sur le site Grandpapier, dont, tout de m\u00eame, une adaptation de La Divine Com\u00e9die<\/em>, excusez du peu.<\/p>\n

\"\"Il s\u2019agit d\u2019un album qui a connu une gestation longue (la dessinatrice travaillait le sujet depuis 2019) et qui me para\u00eet cristalliser exemplairement un certain nombre de tendances caract\u00e9ristiques du chemin emprunt\u00e9 par la bande dessin\u00e9e ces derni\u00e8res ann\u00e9es. Je pense tout particuli\u00e8rement au travail sur le rythme, qui passe par des modulations de grande amplitude dans la taille des images, et au fait que la couleur semble l\u2019emporter sur le dessin (Agusti travaille \u00e0 la gouache). J\u2019ai d\u00e9j\u00e0 parl\u00e9 ici d\u2019un autre ouvrage o\u00f9 cette deuxi\u00e8me tendance se donne \u00e0 voir, Des fourmis dans les jambes<\/em>, d\u2019Andr\u00e9 Derainne [juin 2024], mais il suffit de regarder les tables des libraires sp\u00e9cialis\u00e9s pour constater qu\u2019ils sont de plus en plus nombreux, les livres de bande dessin\u00e9e qui attirent l\u2019\u0153il par la franchise, la g\u00e9n\u00e9rosit\u00e9 et le chatoiement des couleurs, ce chromatisme ostentatoire et radical allant souvent de pair avec un dessin minimal, dans un rapport inversement proportionnel.<\/p>\n

S\u2019agissant de Rouge Signal<\/em>, cette r\u00e9ticence graphique se marque notamment dans le fait que les personnages, tel celui d\u2019Alexandre, le protagoniste, sont tr\u00e8s peu incarn\u00e9s (qu\u2019il n\u2019ait pas de regard, les yeux toujours dissimul\u00e9s derri\u00e8re les verres blancs de ses lunettes, trait\u00e9s comme s\u2019ils \u00e9taient opaques, est des plus significatifs \u00e0 cet \u00e9gard). Il n\u2019est gu\u00e8re plus qu\u2019une silhouette inexpressive que nous ne voyons pas jouer<\/em> et dont les pens\u00e9es et les \u00e9motions ne se donnent \u00e0 lire qu\u2019\u00e0 travers le texte (mais le lettrage lui-m\u00eame est tr\u00e8s d\u00e9sincarn\u00e9).<\/p>\n

\"\"

\u00ab\u00a0Rouge signal\u00a0\u00bb, page 76 \u2013 \u00a9 \u00e9d. 2042<\/p><\/div>\n

Il s\u2019agit, au fond, de ce que, dans une \u00e9tude portant notamment sur le travail de Marion Fayolle, j\u2019avais nomm\u00e9 un \u00ab quasi-personnage \u00bb. Fayolle, du reste, en convient pour sa part, dont je rappelais les propos\u00a0: \u00ab Pour moi, les personnages ne sont pas vraiment des humains, ils n’ont pas de pr\u00e9nom, pas d’identit\u00e9 tr\u00e8s d\u00e9finie. Je les vois davantage comme des silhouettes th\u00e9oriques, des sujets \u00e0 r\u00e9flexion. \u00bb Seulement, la psychologie ne tient pas de place dans les histoires de Marion Fayolle, alors qu\u2019elle est au c\u0153ur du r\u00e9cit de Laurie Augusti. J\u2019avoue avoir eu du mal \u00e0 croire \u00e0 la d\u00e9rive fatale d\u2019Alexandre, employ\u00e9 terne et solitaire, peu \u00e0 l\u2019aise dans son travail comme avec les femmes, qui se convertit (sous l\u2019influence de quelques coll\u00e8gues et des r\u00e9seaux sociaux) aux th\u00e8ses masculinistes puis, comme s\u2019il s\u2019agissait de l\u2019aboutissement logique, fatal, de cette \u00e9volution, \u00e0 l\u2019action violente, car \u00e0 aucun moment je n\u2019ai v\u00e9ritablement cru \u00e0 l\u2019existence du bonhomme.<\/p>\n

Au final, Rouge signal<\/em> est un album d\u00e9concertant parce qu\u2019il semble relever d\u2019une conception d\u00e9corative de la BD (les plus grandes images sont tr\u00e8s souvent celles dont le contenu est le plus insignifiant\u00a0; dans un podcast sur le site Actuabd, l\u2019autrice s\u2019en justifie en disant que ses images ne sont, en effet, pas directement r\u00e9f\u00e9renc\u00e9es \u00e0 l\u2019action ou au dialogue, qu\u2019elle recherche cette d\u00e9connection entre forme et fond) et qu\u2019il d\u00e9veloppe en m\u00eame temps un r\u00e9cit \u00e0 th\u00e8se, tr\u00e8s en prise avec la soci\u00e9t\u00e9, avec le r\u00e9el. Un album qui appara\u00eet comme dissoci\u00e9, doublement d\u00e9monstratif\u00a0: sur le plan politique et sur le plan esth\u00e9tique, o\u00f9 fond et forme m\u2019ont donn\u00e9 l\u2019impression de diverger plut\u00f4t que de servir une m\u00eame ambition.<\/p>\n

\"\"

\u00ab\u00a0Rouge signal\u00a0\u00bb, page 104 \u2013 \u00a9 \u00e9d. 2042<\/p><\/div>\n

Laurie Agusti, Rouge signal<\/em>, \u00e9dition 2042, 200 pages, 28 \u20ac. ISBN 978-2-487849-07-5<\/p>\n","protected":false},"excerpt":{"rendered":"

Parmi les albums parus juste avant l\u2019\u00e9t\u00e9, Rouge signal, de Laurie Agusti, a \u00e9t\u00e9 l\u2019un des plus remarqu\u00e9s. Il est vrai que sa couverture attire l\u2019attention \u2013 un assortiment de cases plut\u00f4t qu\u2019une grande image\u00a0; il y a peu de pr\u00e9c\u00e9dents (on songe \u00e0 Tango, d\u2019Hugo Pratt) \u2013, qu\u2019une s\u00e9duction imm\u00e9diate op\u00e8re au feuilletage, […]<\/p>\n","protected":false},"author":1,"featured_media":3741,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-3738","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nSignal brouill\u00e9 - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2025\/09\/26\/signal-brouille\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Signal brouill\u00e9 - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"Parmi les albums parus juste avant l\u2019\u00e9t\u00e9, Rouge signal, de Laurie Agusti, a \u00e9t\u00e9 l\u2019un des plus remarqu\u00e9s. Il est vrai que sa couverture attire l\u2019attention \u2013 un assortiment de cases plut\u00f4t qu\u2019une grande image\u00a0; il y a peu de pr\u00e9c\u00e9dents (on songe \u00e0 Tango, d\u2019Hugo Pratt) \u2013, qu\u2019une s\u00e9duction imm\u00e9diate op\u00e8re au feuilletage, […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2025\/09\/26\/signal-brouille\/\" \/>\n<meta property=\"og:site_name\" content=\"le site de Thierry Groensteen\" \/>\n<meta property=\"article:published_time\" content=\"2025-09-25T22:05:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2025\/09\/rouge_signal_couve-e1758005171312.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"720\" \/>\n\t<meta property=\"og:image:height\" content=\"330\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"TG\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"TG\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.thierry-groensteen.fr\\\/index.php\\\/2025\\\/09\\\/26\\\/signal-brouille\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.thierry-groensteen.fr\\\/index.php\\\/2025\\\/09\\\/26\\\/signal-brouille\\\/\"},\"author\":{\"name\":\"TG\",\"@id\":\"https:\\\/\\\/www.thierry-groensteen.fr\\\/#\\\/schema\\\/person\\\/3695d4890604be69f280ebbb549210b5\"},\"headline\":\"Signal brouill\u00e9\",\"datePublished\":\"2025-09-25T22:05:37+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.thierry-groensteen.fr\\\/index.php\\\/2025\\\/09\\\/26\\\/signal-brouille\\\/\"},\"wordCount\":781,\"publisher\":{\"@id\":\"https:\\\/\\\/www.thierry-groensteen.fr\\\/#\\\/schema\\\/person\\\/3695d4890604be69f280ebbb549210b5\"},\"image\":{\"@id\":\"https:\\\/\\\/www.thierry-groensteen.fr\\\/index.php\\\/2025\\\/09\\\/26\\\/signal-brouille\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.thierry-groensteen.fr\\\/wp-content\\\/uploads\\\/2025\\\/09\\\/rouge_signal_couve-e1758005171312.jpg\",\"articleSection\":[\"mon Blog\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.thierry-groensteen.fr\\\/index.php\\\/2025\\\/09\\\/26\\\/signal-brouille\\\/\",\"url\":\"https:\\\/\\\/www.thierry-groensteen.fr\\\/index.php\\\/2025\\\/09\\\/26\\\/signal-brouille\\\/\",\"name\":\"Signal brouill\u00e9 - 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