{"id":3600,"date":"2025-05-05T00:05:38","date_gmt":"2025-05-04T22:05:38","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=3600"},"modified":"2025-05-04T15:38:47","modified_gmt":"2025-05-04T13:38:47","slug":"urbicande-la-legende-continue","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2025\/05\/05\/urbicande-la-legende-continue\/","title":{"rendered":"Urbicande : la l\u00e9gende continue"},"content":{"rendered":"

Il y a tr\u00e8s peu d\u2019exemples, sans doute, d\u2019une exposition consacr\u00e9e \u00e0 un unique album de bande dessin\u00e9e, 40 ans apr\u00e8s sa parution. C\u2019est ce que propose en ce moment le Centre d\u2019art de Rouge-Clo\u00eetre (install\u00e9 dans l\u2019ancien prieur\u00e9 du m\u00eame nom), \u00e0 Bruxelles \u2013 un lieu exceptionnel situ\u00e9 \u00e0 l\u2019or\u00e9e de la for\u00eat de Soignes. L\u2019album qui b\u00e9n\u00e9ficie de ce privil\u00e8ge est La F\u00e8vre d\u2019Urbicande<\/em>, de Fran\u00e7ois Schuiten et Beno\u00eet Peeters, le deuxi\u00e8me tome du cycle des Cit\u00e9s obscures<\/em>.<\/p>\n

\"\"

assiette Urbicande<\/p><\/div>\n

M\u00eame si elle b\u00e9n\u00e9ficie d\u2019autres pr\u00eats, l\u2019essentiel du contenu de l\u2019exposition provient de la collection priv\u00e9e r\u00e9unie par un passionn\u00e9, le plasticien et photographe Philippe Seynaeve, qui s\u2019est efforc\u00e9 de rassembler tout ce qui a trait \u00e0 cet ouvrage\u00a0: planches originales (c\u2019est l\u2019un de seuls livres de Schuiten dont les planches aient \u00e9t\u00e9 dispers\u00e9es et vendues), illustrations p\u00e9riph\u00e9riques, s\u00e9rigraphies, \u00e9ditions \u00e9trang\u00e8res, ex-libris, objets \u2013 il existe m\u00eame une vaisselle Urbicande con\u00e7ue par le c\u00e9ramiste Jacques Weemaels. Elle montre aussi des dessins pr\u00e9paratoires, les travaux (r\u00e9alis\u00e9s ou non) des architectes de la monumentalit\u00e9 qui ont inspir\u00e9 Schuiten, et la reconstitution du bureau d\u2019Eugen Robick, tel qu\u2019il avait \u00e9t\u00e9 cr\u00e9\u00e9 une premi\u00e8re fois en 1990 \u00e0 l\u2019occasion de l\u2019exposition-spectacle \u00ab Le Mus\u00e9e des ombres \u00bb, \u00e0 Angoul\u00eame [sur cette exposition, voir mon article de 2014 en ligne sur le site NeuviemeArt2.0<\/em>\u00a0: https:\/\/www.citebd.org\/neuvieme-art\/je-me-souviens-du-musee-des-ombres<\/a>].<\/p>\n

Dans le livre que les \u00e9ditions Mosquito avaient consacr\u00e9 en 1994 \u00e0 Schuiten & Peeters<\/em>, ma contribution avait pour titre \u00ab La l\u00e9gende des Cit\u00e9s \u00bb. Elle cherchait \u00e0 montrer que la s\u00e9rie des Cit\u00e9s obscures<\/em> pouvait \u00eatre lue, \u00e0 certains \u00e9gards, comme une \u00ab sp\u00e9culation sur l\u2019existence de ce monde \u00bb. Cette l\u00e9gende, au sens o\u00f9 je l\u2019entendais alors, les albums \u00ab n\u2019ont de cesse \u00e0 la fois de l\u2019\u00e9tablir et de la questionner, voire d\u2019insidieusement la mettre en cause.\u00a0\u00bb Mais la post\u00e9rit\u00e9 de la s\u00e9rie est telle qu\u2019aujourd\u2019hui, on doit la qualifier d\u2019\u0153uvre de l\u00e9gende<\/em>, dans une autre acception du terme. Et parmi les diff\u00e9rents volumes qui la composent, il semble bien que La Fi\u00e8vre d\u2019Urbicande<\/em> jouisse d\u2019un statut privil\u00e9gi\u00e9, celui d\u2019album culte par excellence.<\/p>\n

Cette pr\u00e9\u00e9minence a plusieurs explications. D\u2019abord le fait que, deuxi\u00e8me venu dans l\u2019ordre des r\u00e9cits, Urbicande<\/em> a fait sensation d\u00e8s sa publication dans (A Suivre)<\/em>, et fut couronn\u00e9 du prix du meilleur album de l\u2019ann\u00e9e \u00e0 Angoul\u00eame en 1985. Puis qu\u2019il a tr\u00e8s vite connu des prolongements qui ont fait la joie des collectionneurs et des fans. Ainsi du petit livre aussit\u00f4t con\u00e7u par Thierry Smolderen, sous le pseudonyme de Regis de Brok (\u00ab doyen de la facult\u00e9 des Sciences de Bruxelles \u00bb), Le Myst\u00e8re d\u2019Urbicande<\/em>, avec des illustrations de \u00ab Robert Louis Marie de La Barque \u00bb, imprim\u00e9 \u00e0 1900 exemplaires par les \u00e9ditions Schlirfbook d\u00e8s cette m\u00eame ann\u00e9e 1985. (Michel Ballieu en retrace la gen\u00e8se dans son essai Schuiten au-del\u00e0 des albums, PLG, 2023, p. 68-69.) Je songe aussi aux ajouts et variantes qui ont fait de chaque nouvelle \u00e9dition de l\u2019album (en 1990, 1992, 2008, 2020), non une reprise \u00e0 l\u2019identique, mais un objet diff\u00e9rent, augment\u00e9.<\/p>\n

\"Le

Une page du \u00ab\u00a0Myst\u00e8re d’Urticande\u00a0\u00bb. Les annotations, cens\u00e9ment de la main de Robick, ont \u00e9t\u00e9 ajout\u00e9es par Beno\u00eet Peeters.<\/p><\/div>\n

Enfin il y a la perfection de l\u2019ouvrage lui-m\u00eame, \u00e0 l\u2019\u00e9criture extr\u00eamement concert\u00e9e (citons seulement la division en 6 chapitres, comme les 6 faces du cube, ou la boucle entre la 1\u00e8re et la derni\u00e8re planche), et la densit\u00e9 des dialogues entretenus avec des \u0153uvres du pass\u00e9 (architecturales, litt\u00e9raires) mais aussi contemporaines (je songe \u00e0 la dette envers les \u00ab\u00a0structures\u00a0\u00bb \u2013 terme qu’il utilise pour d\u00e9crire ses sculptures \u2013 en balsa peint de Sol LeWitt, fond\u00e9es sur un \u00e9l\u00e9ment g\u00e9om\u00e9trique basique, comme le cube, d\u00e9velopp\u00e9 en r\u00e9seau).<\/p>\n

Comme le rel\u00e8vent les auteurs dans un entretien accord\u00e9 au site Actuabd [https:\/\/www.actuabd.com\/Francois-Schuiten-et-Benoit-Peeters-La-Fievre-d-Urbicande-suscite-l<\/a>], le cube d\u2019Urbicande a pris place, aux c\u00f4t\u00e9s de la fus\u00e9e de Tintin, du sous-marin de poche de Tournesol, de la \u00ab Marque jaune \u00bb et du Chronoscaphe, parmi les grands objets-signes que la bande dessin\u00e9e belge a su inscrire dans notre imaginaire collectif. Cette superbe exposition en renforce le caract\u00e8re mythique.<\/p>\n

\u00ab Urbicande : L\u2019enqu\u00eate sans fin \u00bb est visible jusqu\u2019au 1er juin au Centre d\u2019Art du Rouge-Clo\u00eetre, rue du Rouge-Clo\u00eetre 4, 1160 Auderghem (Bruxelles). Ouverture du mercredi au dimanche, de 13h00 \u00e0 17h00.<\/strong><\/p>\n

\"\"

Fran\u00e7ois Schuiten dans l’exposition (photo Philippe Seynaeve)<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

Il y a tr\u00e8s peu d\u2019exemples, sans doute, d\u2019une exposition consacr\u00e9e \u00e0 un unique album de bande dessin\u00e9e, 40 ans apr\u00e8s sa parution. C\u2019est ce que propose en ce moment le Centre d\u2019art de Rouge-Clo\u00eetre (install\u00e9 dans l\u2019ancien prieur\u00e9 du m\u00eame nom), \u00e0 Bruxelles \u2013 un lieu exceptionnel situ\u00e9 \u00e0 l\u2019or\u00e9e de la for\u00eat […]<\/p>\n","protected":false},"author":1,"featured_media":3610,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-3600","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nUrbicande : la l\u00e9gende continue - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2025\/05\/05\/urbicande-la-legende-continue\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Urbicande : la l\u00e9gende continue - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"Il y a tr\u00e8s peu d\u2019exemples, sans doute, d\u2019une exposition consacr\u00e9e \u00e0 un unique album de bande dessin\u00e9e, 40 ans apr\u00e8s sa parution. 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