{"id":3542,"date":"2025-04-05T00:05:03","date_gmt":"2025-04-04T22:05:03","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=3542"},"modified":"2025-04-02T07:49:56","modified_gmt":"2025-04-02T05:49:56","slug":"ce-que-cest-que-la-bande-dessinee-dans-the-drawer","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2025\/04\/05\/ce-que-cest-que-la-bande-dessinee-dans-the-drawer\/","title":{"rendered":"Ce que c\u2019est que la bande dessin\u00e9e dans \u00ab The Drawer \u00bb"},"content":{"rendered":"

La revue The Drawer<\/em> existe depuis 2011 et propose r\u00e9guli\u00e8rement des num\u00e9ros th\u00e9matiques donnant un aper\u00e7u sur la production d\u2019un \u00e9chantillon d\u2019artistes contemporains qui ont choisi le dessin pour m\u00e9dium. Pas de r\u00e9dactionnel, toute la place est laiss\u00e9e \u00e0 la cr\u00e9ation. \u00ab Portraits \u00bb, \u00ab Wall drawings \u00bb, \u00ab Noir \u00bb, \u00ab Amour \u00bb ou encore \u00ab Les Choses \u00bb, tels sont quelques-uns des th\u00e8mes explor\u00e9s dans les num\u00e9ros pr\u00e9c\u00e9dents. Le dernier en date, qui porte le n\u00b0 25 (et qui est aussi le premier co\u00e9dit\u00e9 et distribu\u00e9 par les \u00e9ditions Klincksieck \/ Les Belles Lettres) est, pour la premi\u00e8re fois, consacr\u00e9 \u00e0 la bande dessin\u00e9e.<\/p>\n

\"\"Vingt-deux artistes, en majorit\u00e9 fran\u00e7ais, s\u2019en partagent le sommaire. Si le num\u00e9ro contient effectivement des pages de bande dessin\u00e9e (sous les signatures de Pepa Prieto Puy, Paul Descamps, Anthony Huchette, Louise Aleksiejew ou encore El\u00e8ne Usdin, la derni\u00e8re cit\u00e9e \u00e9tant sans doute la plus connue des amateurs puisque, outre quelques collaborations \u00e0 M\u00e9tal hurlant<\/em>, elle a sign\u00e9 l\u2019album Ren\u00e9.e aux bois dormants<\/em>, chez Sarbacane, qui fut tr\u00e8s remarqu\u00e9), il fait aussi la part belle \u00e0 des illustrateurs et plasticiens \u00ab dont les travaux \u00e9voquent dans leur facture ou leur fa\u00e7on de faire r\u00e9cit la culture BD qui les a inspir\u00e9s \u00bb, ainsi que l\u2019\u00e9nonce le pr\u00e9ambule. Une s\u00e9lection pour le moins discutable, o\u00f9 se d\u00e9ploie notamment un imaginaire fantastico-\u00e9rotique qui, \u00e0 mon sens,\u00a0renvoie davantage au syncr\u00e9tisme de la pop culture contemporaine et \u00e0 la faveur dont y jouissent la fantasy et le manga, qu\u2019\u00e0 un dialogue f\u00e9cond avec les composants de la bande dessin\u00e9e comme art.<\/p>\n

De ce num\u00e9ro, je retiendrai comme particuli\u00e8rement r\u00e9ussies les 6 pages sign\u00e9es Yvan Guillo, alias Samplerman. N\u00e9 en 1971, il ne s\u2019agit plus tout \u00e0 fait d\u2019un jeune artiste mais beaucoup l\u2019ont d\u00e9couvert en 2019, lorsqu\u2019il a re\u00e7u le prix de l\u2019\u00c9cole Europ\u00e9enne Sup\u00e9rieure de l\u2019Image et b\u00e9n\u00e9fici\u00e9, \u00e0 ce titre, d\u2019une belle exposition r\u00e9trospective. Sp\u00e9cialiste du collage, il compose des images \u00e0 partir de pr\u00e9l\u00e8vements effectu\u00e9s dans les pages de vieux comics qu\u2019il trouve au sein des collections num\u00e9ris\u00e9es de certaines biblioth\u00e8ques. Comme le soulignait son \u00e9diteur, Beno\u00eet Preteseille, qui a publi\u00e9 son album Anatomie narrative<\/em> \u00e0 l\u2019enseigne des \u00e9ditions Ion en 2021, Samplerman, lui, questionne \u00ab les m\u00e9canismes de la bande dessin\u00e9e elle-m\u00eame\u2009: les compositions, l\u2019usage des goutti\u00e8res, le rapport au trait et \u00e0 l\u2019abstraction, etc. \u00bb<\/p>\n

\"Samplerman,

Samplerman, \u00ab\u00a0Ce que c’est que la bande dessin\u00e9e\u00a0\u00bb, 2024, page 3 – \u00a9 The Drawer et Klicksieck et l’auteur<\/p><\/div>\n

Sa contribution \u00e0 The Drawer<\/em> s\u2019ouvre d\u2019ailleurs sur la question-pr\u00e9texte : \u00ab Qui peut pr\u00e9tendre savoir ce que c\u2019est que la bande dessin\u00e9e\u00a0?<\/em> \u00bb, pos\u00e9e par une sorte de canard envelopp\u00e9 dans un linceul. Un homme nu, barbu, tr\u00e8s probablement pr\u00e9lev\u00e9 dans une planche chronophotographique, pr\u00e9tend, deux pages plus loin, \u00eatre ce sachant et nous invite \u00e0 le suivre pour d\u00e9couvrir ce qu\u2019il en est de cet art. Naturellement aucune r\u00e9ponse ne sera donn\u00e9e, le propos \u00e9tant constamment interrompu, parasit\u00e9, d\u00e9nonc\u00e9 comme sans objet, de la m\u00eame mani\u00e8re que les images, elles aussi, sont d\u00e9construites, perturb\u00e9es, envahies par toutes sortes de motifs qui surgissent d\u2019on ne sait o\u00f9, comme anim\u00e9s d\u2019une vie propre. Le chaos qui en r\u00e9sulte est visuellement tr\u00e8s s\u00e9duisant, et ce qui s\u2019annon\u00e7ait comme une dissertation se m\u00e9tamorphose en pur spectacle.<\/p>\n","protected":false},"excerpt":{"rendered":"

La revue The Drawer existe depuis 2011 et propose r\u00e9guli\u00e8rement des num\u00e9ros th\u00e9matiques donnant un aper\u00e7u sur la production d\u2019un \u00e9chantillon d\u2019artistes contemporains qui ont choisi le dessin pour m\u00e9dium. Pas de r\u00e9dactionnel, toute la place est laiss\u00e9e \u00e0 la cr\u00e9ation. \u00ab Portraits \u00bb, \u00ab Wall drawings \u00bb, \u00ab Noir \u00bb, \u00ab Amour \u00bb […]<\/p>\n","protected":false},"author":1,"featured_media":3544,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-3542","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nCe que c\u2019est que la bande dessin\u00e9e dans \u00ab The Drawer \u00bb - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2025\/04\/05\/ce-que-cest-que-la-bande-dessinee-dans-the-drawer\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ce que c\u2019est que la bande dessin\u00e9e dans \u00ab The Drawer \u00bb - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"La revue The Drawer existe depuis 2011 et propose r\u00e9guli\u00e8rement des num\u00e9ros th\u00e9matiques donnant un aper\u00e7u sur la production d\u2019un \u00e9chantillon d\u2019artistes contemporains qui ont choisi le dessin pour m\u00e9dium. 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