{"id":3533,"date":"2025-03-31T00:05:05","date_gmt":"2025-03-30T22:05:05","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=3533"},"modified":"2025-03-28T08:49:55","modified_gmt":"2025-03-28T07:49:55","slug":"le-roman-photo-converti-a-lhumour-2","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2025\/03\/31\/le-roman-photo-converti-a-lhumour-2\/","title":{"rendered":"Le roman-photo converti \u00e0 l\u2019humour (2)"},"content":{"rendered":"

Des premi\u00e8res r\u00e9flexions sur le roman-photo humoristique publi\u00e9es ici-m\u00eame voici quelques jours, un ma\u00eetre-mot \u00e9merge\u00a0: celui de d\u00e9calage. Il s\u2019applique aussi parfaitement \u00e0 La Fabrique du prince charmant<\/em>, dont l\u2019un des ressorts les plus efficaces est la discordance entre une imagerie conventionnelle et d\u00e9su\u00e8te (kitsch) et un langage ultra-contemporain.<\/p>\n

Toutefois, le comique de Guacamole Vaudou<\/em>, comme celui de M\u00eame le grand soir a commenc\u00e9 petit<\/em>, dont il va \u00eatre question, rel\u00e8ve davantage de l\u2019absurde. Si les r\u00e9pliques \u00e9tonnent, c\u2019est parce que les situations elles-m\u00eames sont surprenantes, incongrues. Avec St\u00e9phane Chabert, qu\u2019incarne un Judor perruqu\u00e9, Fabcaro invente un looser path\u00e9tique, ris\u00e9e de ses coll\u00e8gues, qui pense pouvoir se m\u00e9tamorphoser en participant \u00e0 un stage de vaudou. \u00ab Guacamole \u00bb sera la formule magique suppos\u00e9e l\u2019extirper de tous les moments de doute et le transformer en winner<\/em>.<\/p>\n

\"Fabcaro

Fabcaro et Eric Judor, \u00ab\u00a0Guacamole Vaudou\u00a0\u00bb \u2013 \u00e9d. du Seuil<\/p><\/div>\n

M\u00eame le grand soir a commenc\u00e9 petit <\/em>(Flblb, 2019) est un roman-photo familial, puisque le h\u00e9ros en est Aliocha, le premier enfant des auteurs, Lisa Lugrin et Cl\u00e9ment Xavier. (Rappelons qu\u2019ils sont d\u2019abord auteurs de bande dessin\u00e9e. Leur album Yekini, le roi des ar\u00e8nes<\/em>, en 2014, fut tr\u00e8s remarqu\u00e9\u00a0; j\u2019ai moi-m\u00eame utilis\u00e9, \u00e0 L\u2019An 2, leurs talents de sc\u00e9naristes, pour les albums Le Journal de Clara<\/em> et Washing Town<\/em>, respectivement dessin\u00e9s par Pauline Cherici et Fanny Grosshans.) Aliocha est encore un b\u00e9b\u00e9. Mais voil\u00e0 qu\u2019un jour, silencieux jusque-l\u00e0, il se met subitement \u00e0 parler, commandant une pizza par t\u00e9l\u00e9phone, qu\u2019il paie en donnant le num\u00e9ro de la carte bleue de son p\u00e8re\u00a0! Ainsi d\u00e9bute un r\u00e9cit fantastique et dr\u00f4latique, qui pousse \u00e0 son comble le constat banal\u00a0: \u00ab C\u2019est fou comme les enfants grandissent vite\u00a0! \u00bb<\/p>\n

\"\"Lisa et Cl\u00e9ment ne sont pas au bout de leurs surprises. Leur petit gar\u00e7on est victime d\u2019une crise de \u00ab maturisme aigu \u00bb. Bient\u00f4t il surfe sur internet, pr\u00e9sente \u00e0 ses parents sa \u00ab copine \u00bb, d\u00e9fend un mode de vie plus en harmonie avec la nature, et somme toute appara\u00eet, \u00e0 certains \u00e9gards, comme plus m\u00fbr que ses parents (\u00e0 son p\u00e8re, Aliocha donne \u00ab treize ans d\u2019\u00e2ge mental \u00bb). Absurde et d\u00e9calage (entre l\u2019aspect ext\u00e9rieur du bambin et son comportement d\u2019adulte) se donnent ici la main. Lisa et Cl\u00e9ment paraissent finalement moins \u00e9berlu\u00e9s qu\u2019\u00e9merveill\u00e9s de voir les capacit\u00e9s acquises par leur prog\u00e9niture. Le sens du dialogue des auteurs fait merveille, de m\u00eame que leur application des codes de la bande dessin\u00e9e\u00a0: d\u00e9cors supprim\u00e9s au profit d\u2019aplats color\u00e9s, recours ponctuel aux emanata<\/em>, aux lignes d\u2019expression, aux onomatop\u00e9es.<\/p>\n

L\u2019\u00e9conomie du roman-photo est une \u00e9conomie de la d\u00e9brouille. C\u2019est \u00e9vident dans le cas de M\u00eame le grand soir\u2026<\/em>, o\u00f9 tous les r\u00f4les sont tenus par des proches des couples (sauf Patrick S\u00e9bastien et Fran\u00e7ois Hollande, guest stars<\/em> aux photos habilement d\u00e9tourn\u00e9es). Mais c\u2019est vrai \u00e9galement pour Guacamole Vaudou<\/em>, dont les sc\u00e8nes de bureau et de cantine ont \u00e9t\u00e9 photographi\u00e9es dans les locaux du Seuil.<\/p>\n

L\u00e0 o\u00f9 une opposition int\u00e9ressante se dessine entre la conception de ces deux ouvrages aussi r\u00e9ussis l\u2019un que l\u2019autre, c\u2019est sur la question de la pr\u00e9s\u00e9ance entre l\u2019\u00e9criture et le jeu d\u2019acteur. S\u2019agissant de Guacamole<\/em>, tout \u00e9tait \u00e9crit avant les prises de vue. Selon les t\u00e9moignages de l\u2019\u00e9quipe, l\u2019\u00e9ditrice lisait \u00e0 voix haute la bulle de dialogue qui correspondrait \u00e0 la photo sur le point d\u2019\u00eatre prise, acteurs et actrices devant d\u00e8s lors mimer la situation et les sentiments correspondants. \u00ab\u00a0On a essay\u00e9 d\u2019\u00eatre dr\u00f4le sans trop appuyer les expressions pour autant,\u00a0a pr\u00e9cis\u00e9 \u00c9ric Judor.\u00a0Il ne fallait pas qu\u2019un regard trop d\u00e9monstratif ou une expression outr\u00e9e prenne le pas sur l\u2019humour du texte.\u00a0\u00bb<\/p>\n

En revanche, si je m\u2019en r\u00e9f\u00e8re aux \u00e9l\u00e9ments de pr\u00e9sentation contenus dans l\u2019exposition Flblb \u00e0 la CIBDI, Lisa Lugrin et Cl\u00e9ment Xavier prenaient des photos et faisaient \u00e9voluer leurs personnages sans avoir pr\u00e9alablement verrouill\u00e9 sc\u00e9nario et dialogues. \u00ab Parfois, au tournage, les intentions sont encore floues, on ne sait pas exactement ce que vont dire les personnages\u2026 \u00bb Ce qui signifie que l\u2019id\u00e9e de telle r\u00e9plique a pu na\u00eetre d\u2019une mimique ou d\u2019un geste, et que les auteurs ont compos\u00e9 leur r\u00e9cit en pr\u00e9levant les images ad\u00e9quates dans un stock pr\u00e9alablement constitu\u00e9. La m\u00e9thode peut sembler paradoxale, mais dans le cas d\u2019esp\u00e8ce elle d\u00e9coule de l\u2019impossibilit\u00e9 d\u2019obtenir d\u2019un b\u00e9b\u00e9 qu\u2019il fasse l\u2019acteur.<\/p>\n

\"Lisa

\u00ab\u00a0M\u00eame le grand soir a commenc\u00e9 petit\u00a0\u00bb, page 28 \u2013 \u00e9ditions Flblb<\/p><\/div>\n

Ainsi, la notion de jeu se pose diff\u00e9remment dans le roman-photo qu\u2019elle ne le fait au th\u00e9\u00e2tre ou au cin\u00e9ma, ou encore sous le crayon d\u2019un dessinateur. Le geste arr\u00eat\u00e9, la pose<\/em>, y sont manifestes, et l\u2019on a constamment l\u2019impression d\u2019assister \u00e0 une reconstitution des sc\u00e8nes plut\u00f4t qu\u2019\u00e0 leur d\u00e9roulement. D\u2019o\u00f9 un cocasse et l\u00e9ger d\u00e9calage<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Des premi\u00e8res r\u00e9flexions sur le roman-photo humoristique publi\u00e9es ici-m\u00eame voici quelques jours, un ma\u00eetre-mot \u00e9merge\u00a0: celui de d\u00e9calage. Il s\u2019applique aussi parfaitement \u00e0 La Fabrique du prince charmant, dont l\u2019un des ressorts les plus efficaces est la discordance entre une imagerie conventionnelle et d\u00e9su\u00e8te (kitsch) et un langage ultra-contemporain. Toutefois, le comique de Guacamole […]<\/p>\n","protected":false},"author":1,"featured_media":3535,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-3533","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nLe roman-photo converti \u00e0 l\u2019humour (2) - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2025\/03\/31\/le-roman-photo-converti-a-lhumour-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le roman-photo converti \u00e0 l\u2019humour (2) - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"Des premi\u00e8res r\u00e9flexions sur le roman-photo humoristique publi\u00e9es ici-m\u00eame voici quelques jours, un ma\u00eetre-mot \u00e9merge\u00a0: celui de d\u00e9calage. Il s\u2019applique aussi parfaitement \u00e0 La Fabrique du prince charmant, dont l\u2019un des ressorts les plus efficaces est la discordance entre une imagerie conventionnelle et d\u00e9su\u00e8te (kitsch) et un langage ultra-contemporain. 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Il s\u2019applique aussi parfaitement \u00e0 La Fabrique du prince charmant, dont l\u2019un des ressorts les plus efficaces est la discordance entre une imagerie conventionnelle et d\u00e9su\u00e8te (kitsch) et un langage ultra-contemporain. 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