{"id":3497,"date":"2025-03-07T00:05:52","date_gmt":"2025-03-06T23:05:52","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=3497"},"modified":"2025-03-06T14:07:25","modified_gmt":"2025-03-06T13:07:25","slug":"fabio-fragments-fatras","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2025\/03\/07\/fabio-fragments-fatras\/","title":{"rendered":"Fabio, fragments, fatras"},"content":{"rendered":"

Parce qu\u2019il s\u2019agit d\u2019un album inclassable, d\u00e9routant, qui ne ressemble \u00e0 aucun autre, Cascade<\/em>, de Fabio Viscogliosi (L\u2019Association, 2020, hors collection), est de ceux que j\u2019aime \u00e0 rouvrir de temps \u00e0 autre, \u00e0 la recherche de nouvelles associations ou sensations.<\/p>\n

\"\"La couverture, d\u00e9j\u00e0, place l\u2019entreprise sous le signe de l\u2019insolite\u00a0: l\u2019\u00e2ne dont Fabio a depuis longtemps fait son double (comme Guibert projette l\u2019enfant qu\u2019il a \u00e9t\u00e9 dans l\u2019\u00e2non bleu Ariol), se tient debout sur une plaque de glace, en chemise de nuit et chaussettes, comme s\u2019il venait d\u2019\u00eatre arrach\u00e9 au sommeil. Deux autres plaques de taille plus r\u00e9duite supportent, l\u2019un une lampe de chevet, l\u2019autre un vase orn\u00e9 d\u2019un c\u0153ur (vase de nuit\u00a0?). Et l\u2019on ne sait pas bien si ces \u00ab icebergs \u00bb flottent sur une \u00e9tendue d\u2019eau ou s\u2019ils ne seraient pas plut\u00f4t, comme le dessin en donne l\u2019impression, en train de fendre les airs, mus par on ne sait quelle force myst\u00e9rieuse.<\/p>\n

\u00ab La figure de l\u2019\u00e2ne me travaille depuis que j\u2019ai vu le Pinocchio<\/em> de Comencini, avec ce cancre chang\u00e9 en animal, expliquait Fabio \u00e0 Lib\u00e9ration <\/em>en 2007. C\u2019est devenu un double ou un masque qui me permet de me promener dans mon histoire. \u00bb<\/p>\n

Cascade<\/em>, qui compte 110 pages sans compter les notes terminales, est construit sur l\u2019alternance de trois types de pages\u00a0: des grandes illustrations l\u00e9gend\u00e9es (dont le protagoniste est presque toujours l\u2019\u00e2ne susmentionn\u00e9), des s\u00e9quences narratives souvent limit\u00e9es \u00e0 une page, adoptant la forme d\u2019un gaufrier de 6 cases et pourvues d\u2019un titre, enfin des pages rassemblant des dessins disparates que relie vaguement, ou pas, un th\u00e8me commun. L\u2019auteur les nomme \u00ab Miscellaneous \u00bb, terme qu\u2019il aurait pu traduire par \u00ab M\u00e9lange \u00bb. Au XIXe si\u00e8cle, on les e\u00fbt appel\u00e9es \u00ab Mac\u00e9doines \u00bb.<\/p>\n

\"Fabio

\u00ab\u00a0Cascade\u00a0\u00bb, page 23 \u2013 \u00a9 L’Association<\/p><\/div>\n

\"Fabio

\u00ab\u00a0Cascade\u00a0\u00bb, p. 54 \u2013 \u00a9 L’Association<\/p><\/div>\n

Pas de continuit\u00e9, donc, entre ces diff\u00e9rents types de fragments, pas de grands r\u00e9cits, mais une collection d\u2019instants, de r\u00e9flexions, de questionnements. Le texte est \u00e9crit \u00e0 la premi\u00e8re personne, et convoque, de toute \u00e9vidence, des r\u00e9miniscences autobiographiques\u00a0: sur les parents, immigr\u00e9s italiens (page 17\u00a0; d\u2019autres signes d\u2019italianit\u00e9 affleurent par-ci par-l\u00e0\u00a0: les gelati<\/em>, le Campari, les cafeti\u00e8res \u00ab Moka \u00bb, des ruines romaines\u2026) ou sur un amour de coll\u00e8ge (p. 36). Il fait aussi l\u2019inventaire des artistes dont Fabio s\u2019est nourri, dans diff\u00e9rents domaines\u00a0: arts plastiques (Albers, Calder, Steinberg, Morandi, de Chirico ou L\u00e9ger), litt\u00e9rature (Joyce, Joubert, Chandler, Walser, Apollinaire, Rimbaud, Proust, Kerouac, Kafka\u2026), cin\u00e9ma (Rohmer, van Sant, Chaplin, Rossellini, Bresson, Ozu, Bergman\u2026) et musique (Leonard Cohen, le Velvet Underground, Bob Dylan\u2026). L\u2019accumulation des r\u00e9f\u00e9rences peut sembler p\u00e9dante mais elles sont distill\u00e9es sans ostentation ni insistance, dessinant peu \u00e0 peu une constellation d\u2019affinit\u00e9s, comme un cercle d\u2019amis. Elle est ce qui permet au narrateur d\u2019affirmer que la vie \u00ab a du style \u00bb. Il convient de ne pas oublier que Fabio Viscogliosi a lui-m\u00eame \u00e9crit plusieurs livres sans images et enregistr\u00e9 plusieurs disques, qu\u2019il se d\u00e9place sans cesse, \u00e0 l\u2019image de ce chat errant filiforme toujours en mouvement (sorte de chat de Giacometti redress\u00e9) qui est son autre personnage f\u00e9tiche.<\/p>\n

Les pages les plus surprenantes sont celles, au nombre d\u2019une petite dizaine, o\u00f9 une dissociation s\u2019installe entre le texte et l\u2019image. Une r\u00e8gle \u00e9l\u00e9mentaire de la bande dessin\u00e9e (ce langage o\u00f9 les images s\u2019encha\u00eenent en cascade<\/em>), selon laquelle le dessin intervient \u00e0 propos<\/em> pour illustrer ou compl\u00e9ter ce qu\u2019\u00e9nonce le verbe, se trouve tranquillement battue en br\u00e8che. Par exemple, dans les quatre pages o\u00f9 Fabio reprend int\u00e9gralement les paroles de la chanson de Dylan Girl from the North Country<\/em> (p. 79-82), les dessins ne proposent rien qu\u2019un jeu de formes et de couleurs \u00e9voquant de vagues paysages m\u00e9taphysiques. On ne peut pas dire qu\u2019ils adviennent en r\u00e9sonance des mots, mais plut\u00f4t qu\u2019ils ouvrent chaque phrase sur un ailleurs, un espace d\u2019incertitude et de r\u00eaverie.<\/p>\n

\"Fabio

\u00ab\u00a0Cascade\u00a0\u00bb, p. 81 \u2013 \u00a9 L’Association<\/p><\/div>\n

Je rel\u00e8ve, dans le cours du livre, les expressions suivantes\u00a0: ouvrir l\u2019esprit \u00e0 \u00ab un fabuleux champ de possibles \u00bb\u00a0(p. 20) ; \u00e9largir la r\u00e9alit\u00e9 \u00ab au-del\u00e0 des dimensions usuelles \u00bb (p. 33)\u00a0; cultiver des pens\u00e9es \u00ab tout en zigzags \u00bb (p. 60). Elles me paraissent converger pour d\u00e9signer l\u2019ambition de faire des pas de c\u00f4t\u00e9, de prendre les choses par d\u2019autres bouts pour mieux interroger leur \u00e9nigme.<\/p>\n

\u00c9nigme que pourraient bien d\u00e9signer m\u00e9taphoriquement ces innombrables petits nuages, ces vapeurs, ces fumeroles, ces cercles vides qui prolif\u00e8rent dans la plupart des pages. Fabio reconduit le monde \u00e0 l\u2019\u00e9tat gazeux.<\/p>\n","protected":false},"excerpt":{"rendered":"

Parce qu\u2019il s\u2019agit d\u2019un album inclassable, d\u00e9routant, qui ne ressemble \u00e0 aucun autre, Cascade, de Fabio Viscogliosi (L\u2019Association, 2020, hors collection), est de ceux que j\u2019aime \u00e0 rouvrir de temps \u00e0 autre, \u00e0 la recherche de nouvelles associations ou sensations. La couverture, d\u00e9j\u00e0, place l\u2019entreprise sous le signe de l\u2019insolite\u00a0: l\u2019\u00e2ne dont Fabio a […]<\/p>\n","protected":false},"author":1,"featured_media":3492,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-3497","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nFabio, fragments, fatras - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2025\/03\/07\/fabio-fragments-fatras\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fabio, fragments, fatras - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"Parce qu\u2019il s\u2019agit d\u2019un album inclassable, d\u00e9routant, qui ne ressemble \u00e0 aucun autre, Cascade, de Fabio Viscogliosi (L\u2019Association, 2020, hors collection), est de ceux que j\u2019aime \u00e0 rouvrir de temps \u00e0 autre, \u00e0 la recherche de nouvelles associations ou sensations. 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