{"id":3457,"date":"2025-02-14T00:05:13","date_gmt":"2025-02-13T23:05:13","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=3457"},"modified":"2025-02-12T14:03:53","modified_gmt":"2025-02-12T13:03:53","slug":"le-popeye-du-dimanche","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2025\/02\/14\/le-popeye-du-dimanche\/","title":{"rendered":"Le Popeye du dimanche"},"content":{"rendered":"

Les \u00e9ditions Futuropolis ont sorti r\u00e9cemment un album reprenant les Sundays<\/em> (pages dominicales, en couleur) de Popeye<\/em> des ann\u00e9es 1930 \u00e0 1933. Ce ne sont pas encore les toutes grandes ann\u00e9es de ce newspaper strip<\/em> mythique, mais enfin c\u2019est du Segar, autant dire la promesse d\u2019une lecture jubilatoire et de grands moments d\u2019hilarit\u00e9.<\/p>\n

Le livre compile deux volumes publi\u00e9s aux \u00c9tats-Unis par Fantagraphics Books. \u00c9trangement, ces pages n\u2019avaient pour la plupart encore jamais \u00e9t\u00e9 publi\u00e9es en album dans notre langue. Je me suis d\u2019abord demand\u00e9 pourquoi Futuropolis ne nous donnait \u00e0 lire que les seules pages du dimanche, excluant les bandes quotidiennes. Choix inverse de celui de la collection \u00ab\u00a0Copyright\u00a0\u00bb nagu\u00e8re, dont les 8 volumes consacr\u00e9s \u00e0 Popeye<\/em>, publi\u00e9s entre 1980 et 1988, ne reprenaient, eux, que les dailies<\/em>. Dans l\u2019intervalle, nous avons pu faire nos d\u00e9lices de la r\u00e9\u00e9dition de Terry et les pirates <\/em>chez Bdartis(e), la toute premi\u00e8re \u00e0 nous proposer un comic strip<\/em> dans son int\u00e9gralit\u00e9, dailies<\/em> ET Sundays <\/em>dans un m\u00eame ouvrage (et, \u00e0 partir du volume 2, respectant l\u2019alternance correspondant \u00e0 la continuit\u00e9 de la publication d\u2019origine). On aurait pu penser que cette restitution respectueuse, id\u00e9ale, allait devenir la r\u00e8gle. En d\u00e9couvrant ce nouveau Popeye<\/em>, on peut donc l\u00e9gitimement ressentir un mouvement d\u2019humeur\u00a0: \u00e0 nouveau une version tronqu\u00e9e, partielle, incompl\u00e8te.<\/p>\n

\"\"\"\"<\/p>\n

Mais Segar n\u2019\u00e9tait pas Milton Caniff. Si ce dernier s\u2019effor\u00e7ait de d\u00e9rouler la trame feuilletonesque de son r\u00e9cit sept jours sur sept (j\u2019ai \u00e9tudi\u00e9 l\u2019\u00e9volution de ses proc\u00e9d\u00e9s pour raccorder strips et planches dans mon essai La Bande dessin\u00e9e et le temps<\/em>, PUFR, 2022, pages 105-108), Segar, lui, fait avancer son histoire en semaine, et le dimanche il prend la tangente pour proposer \u00e0 ses lecteurs une planche sans rapport avec l\u2019intrigue en cours, ou m\u00eame, parfois, s\u2019inscrivant dans une autre continuit\u00e9 (de dimanche \u00e0 dimanche, enjambant les jours de semaine).<\/p>\n

Souvenons-nous que le personnage de Popeye est apparu pour la premi\u00e8re fois le 17 janvier 1929 dans une s\u00e9rie qui existait d\u00e9j\u00e0 depuis dix ans sous le titre The Thimble Theatre<\/em>. La p\u00e9riode 1930-1933 est celle au cours de laquelle le personnage s\u2019affirme. Aussi les pages dominicales peuvent-elles \u00eatre lues comme autant de touches compl\u00e9mentaires apport\u00e9es au portrait du anti-h\u00e9ros marin, boxeur, mangeur d\u2019\u00e9pinards et philanthrope (tout ce qu\u2019il gagne sur le ring est imm\u00e9diatement redistribu\u00e9 aux enfants, aux veuves, aux d\u00e9sh\u00e9rit\u00e9s). C\u2019est aussi une p\u00e9riode dans laquelle Olive, sa fianc\u00e9e (qui ne d\u00e9daigne pas de flirter avec d\u2019autres hommes mais n\u2019envisage pas d\u2019\u00e9pouser un autre que Popeye) croit encore pouvoir le changer et obtenir de lui qu\u2019il cesse de se battre pour un oui ou pour un non.<\/p>\n

Les Sundays<\/em> sont aussi des planches-gag, \u00e0 chute, au comique souvent \u00e9norme, des sortes de r\u00e9cr\u00e9ations. Elles font d\u2019ailleurs une place pr\u00e9pond\u00e9rante \u00e0 J. Wellington Wimpy, introduit dans la s\u00e9rie en 1931 comme arbitre de boxe corrompu. Prototype du parasite, Wimpy nous stup\u00e9fie surtout par sa goinfrerie impossible \u00e0 rassasier. Il hante le Rough-House caf\u00e9, pr\u00eat \u00e0 tout pour manger des hamburgers \u00e0 cr\u00e9dit, et il est capable d\u2019en ingurgiter des dizaines \u00e0 la suite (Ob\u00e9lix, qui partage sa rondeur, sera son digne h\u00e9ritier, lui qui ne fera qu\u2019une bouch\u00e9e d\u2019un sanglier). Wimpy n\u2019appara\u00eet d\u2019abord que dans les Sundays<\/em>, n\u2019int\u00e9grant les dailies<\/em> qu\u2019en mars 1933. D\u2019autres personnages, tels Swee\u2019pea et le Jeep, feront le chemin inverse. Il est \u00e0 remarquer que certaines situations d\u2019abord exploit\u00e9es dans l\u2019un des deux formats seront ensuite reprises dans l\u2019autre, sur un mode majeur. Ainsi Wimpy retrouve-t-il sa m\u00e8re, perdue de vue depuis quinze ans, dans la page du 19 f\u00e9vrier 1933. On sait que les retrouvailles de Popeye avec son \u00ab Popa \u00bb, en d\u00e9cembre 1936, constitueront l\u2019un des sommets de la s\u00e9rie.<\/p>\n

\"\"<\/p>\n

\u00c0 mon sens, c\u2019est dans l\u2019inventivit\u00e9 feuilletonesque dont t\u00e9moignent les bandes quotidiennes que Segar fut \u00e0 son meilleur. Par ailleurs, la traduction qui nous est propos\u00e9e dans ce nouvel album, due \u00e0 Sidonie Van den Dries, est loin d\u2019avoir la saveur de celle de Frank (le sc\u00e9nariste de Golo) dans les antiques \u00ab Copyright \u00bb. Pour ne prendre qu\u2019un exemple, l\u2019\u00e9quivalent qu\u2019elle donne \u00e0 la phrase l\u00e9gendaire de Wimpy, r\u00e9p\u00e9t\u00e9e telle un refrain\u00a0: I would gladly pay you Tuesday for a hamburger today<\/em>, est de la plus grande platitude\u00a0: \u00ab Sers-moi un hamburger et je te paie mardi \u00bb. Ce nouveau rendez-vous avec Popeye ne nous procure donc qu\u2019un demi-bonheur.<\/p>\n","protected":false},"excerpt":{"rendered":"

Les \u00e9ditions Futuropolis ont sorti r\u00e9cemment un album reprenant les Sundays (pages dominicales, en couleur) de Popeye des ann\u00e9es 1930 \u00e0 1933. Ce ne sont pas encore les toutes grandes ann\u00e9es de ce newspaper strip mythique, mais enfin c\u2019est du Segar, autant dire la promesse d\u2019une lecture jubilatoire et de grands moments d\u2019hilarit\u00e9. Le […]<\/p>\n","protected":false},"author":1,"featured_media":3459,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-3457","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nLe Popeye du dimanche - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2025\/02\/14\/le-popeye-du-dimanche\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Popeye du dimanche - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"Les \u00e9ditions Futuropolis ont sorti r\u00e9cemment un album reprenant les Sundays (pages dominicales, en couleur) de Popeye des ann\u00e9es 1930 \u00e0 1933. 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