{"id":3377,"date":"2024-12-28T00:05:43","date_gmt":"2024-12-27T23:05:43","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=3377"},"modified":"2024-12-27T09:23:51","modified_gmt":"2024-12-27T08:23:51","slug":"splendeur-de-rebetissa","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/12\/28\/splendeur-de-rebetissa\/","title":{"rendered":"Splendeur de \u00ab R\u00e9b\u00e9tissa \u00bb"},"content":{"rendered":"

David Prudhomme aimait \u00e0 dire, ces derni\u00e8res ann\u00e9es, que R\u00e9b\u00e9tiko<\/em> (la mauvaise herbe)<\/em>, paru en 2009, \u00e9tait son \u00ab album signature \u00bb. En effet, comme transcend\u00e9 par son sujet, lui qui d\u00e9daigne habituellement d\u2019\u00e9taler sa virtuosit\u00e9 avait r\u00e9alis\u00e9 avec cet album quelque chose comme un concentr\u00e9 de son art graphique et narratif. La critique, les jurys, le public ne s\u2019y \u00e9taient pas tromp\u00e9s. Il y avait de la magie dans ses pages, une d\u00e9monstration discr\u00e8te et ent\u00eatante de la puissance d\u2019\u00e9vocation du dessin.<\/p>\n

Quinze ans ont pass\u00e9, et Prudhomme retrouve, avec R\u00e9b\u00e9tissa<\/em>, ce m\u00eame bonheur d\u2019expression. Le m\u00eame charme op\u00e8re, \u00e0 nouveau, et c\u2019est comme si l\u2019on n\u2019avait jamais quitt\u00e9 Markos, Batis, Stavros et Anestis, comme si le son de leurs bouzoukis nous \u00e9tait rest\u00e9 dans les oreilles. Si le titre s\u2019est ostensiblement f\u00e9minis\u00e9, c\u2019est que montent ici au premier plan du r\u00e9cit trois figures f\u00e9minines, trois temp\u00e9raments de feu\u00a0: \u00ab la divine B\u00e8ba \u00bb, chanteuse qui s\u2019accompagne au tambourin (elle faisait une entr\u00e9e royale \u00e0 la page 59 de R\u00e9b\u00e9tiko<\/em> mais demeurait dans les marges de ce premier opus), de Marika, sa demi-s\u0153ur, qui r\u00eave d\u2019Am\u00e9rique, et de Katina, la tenanci\u00e8re de la taverne o\u00f9 les R\u00e9b\u00e8tes se produisent.<\/p>\n

\"\"<\/p>\n

\u00c0 elles trois, elles tissent un contrepoint bienvenu au petit groupe des hommes et communiquent au livre une \u00e9lectricit\u00e9 sensuelle de tous les instants. Le r\u00e9b\u00e9tiko, ce \u00ab blues \u00bb grec dont le Monde diplomatique<\/em> \u00e9crivait en octobre 2023\u00a0que, n\u00e9 au d\u00e9but des ann\u00e9es 1920 (\u2026), il constitue \u00ab un marqueur de l\u2019identit\u00e9 nationale \u00bb et un \u00ab chant de l\u2019exil, de la plainte et de la douleur d\u2019exister\u2026 \u00bb, est, selon Prudhomme, \u00ab une musique de gens simples, pour des gens simples \u00bb. Mais si ses personnages sont des d\u00e9class\u00e9s, des marginaux, le dessinateur ne leur en conf\u00e8re pas moins une dignit\u00e9 et une noblesse remarquables, qui passe par le corps, les gestes, le port de t\u00eate, le regard, les silences.<\/p>\n

\"David

\u00ab\u00a0R\u00e9b\u00e9tissa\u00a0\u00bb, page 209, d\u00e9tail – \u00a9 Futuropolis<\/p><\/div>\n

Instaur\u00e9 le 4 ao\u00fbt 1936, le r\u00e9gime autoritaire du g\u00e9n\u00e9ral Io\u00e1nnis Metax\u00e1s, qui durera jusqu\u2019\u00e0 la mort de cet admirateur de Mussolini, en 1941, d\u00e9clara le r\u00e9b\u00e9tiko d\u00e9cadent et antinational. En cons\u00e9quence, Katina doit licencier les musiciens qui, soir apr\u00e8s soir, donnaient une \u00e2me \u00e0 son rade, et le r\u00e9cit est celui de leur combat pour continuer \u00e0 exister.<\/p>\n

Dans L\u2019Oisiveraie<\/em>, son \u0153uvre la plus libre, la plus spontan\u00e9e et la plus personnelle, Prudhomme ne craignait pas de pratiquer un patchwork de techniques et de styles. Une esquisse naturaliste y voisinait avec une franche caricature, quelquefois dans la m\u00eame case. On retrouve dans R\u00e9b\u00e9tissa<\/em> les m\u00eames oscillations dans le r\u00e9gime du trait, le m\u00eame dessin \u00e0 d\u00e9finition variable qui est la marque de l\u2019artiste, mais dans une version liss\u00e9e, att\u00e9nu\u00e9e, plus contr\u00f4l\u00e9e, et \u00e0 laquelle la gamme que composent la couleur cr\u00e8me des fonds de cases, le noir de l\u2019encre et le gris des ombrages conf\u00e8re unit\u00e9. Pour l\u2019\u00e9l\u00e9gance et l\u2019\u00e9pure, Prudhomme fait quelquefois songer \u00e0 Alex Toth, ou aux ma\u00eetres orientaux, mais il s\u2019en distingue par son art du portrait. Les gros plans muets abondent, sur lesquels on s\u2019efforce de lire <\/em>les r\u00e9actions, les sentiments, de la m\u00eame mani\u00e8re que l\u2019on cherche \u00e0 entendre<\/em> les instruments et les voix.<\/p>\n

\"David

\u00ab\u00a0R\u00e9b\u00e9tissa\u00a0\u00bb, page 172 – \u00a9 Futuropolis<\/p><\/div>\n

Pour l\u2019heure, R\u00e9b\u00e9tissa <\/em>n\u2019est disponible que dans une \u00e9dition limit\u00e9e \u00e0 2500 exemplaires, en format \u00e0 l\u2019italienne, chaque demi-planche \u00e9tant reproduite \u00e0 la taille de l\u2019ex\u00e9cution. L\u2019\u00e9dition normalis\u00e9e, \u00e0 la fran\u00e7aise et en couleurs, sortira au printemps. Je ne saurais assez conseiller de se ruer sur cette version-ci, un peu ch\u00e8re, certes, mais qui permet, comme le dit l\u2019\u00e9diteur, de \u00ab pouvoir profiter au maximum des dessins \u00bb.<\/p>\n

[ David Prudhomme, R\u00e9b\u00e9tissa<\/em>, \u00e9ditions Futuropolis, 224 pages, 45 \u20ac. ]<\/p>\n","protected":false},"excerpt":{"rendered":"

David Prudhomme aimait \u00e0 dire, ces derni\u00e8res ann\u00e9es, que R\u00e9b\u00e9tiko (la mauvaise herbe), paru en 2009, \u00e9tait son \u00ab album signature \u00bb. En effet, comme transcend\u00e9 par son sujet, lui qui d\u00e9daigne habituellement d\u2019\u00e9taler sa virtuosit\u00e9 avait r\u00e9alis\u00e9 avec cet album quelque chose comme un concentr\u00e9 de son art graphique et narratif. La critique, […]<\/p>\n","protected":false},"author":1,"featured_media":3380,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-3377","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nSplendeur de \u00ab R\u00e9b\u00e9tissa \u00bb - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/12\/28\/splendeur-de-rebetissa\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Splendeur de \u00ab R\u00e9b\u00e9tissa \u00bb - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"David Prudhomme aimait \u00e0 dire, ces derni\u00e8res ann\u00e9es, que R\u00e9b\u00e9tiko (la mauvaise herbe), paru en 2009, \u00e9tait son \u00ab album signature \u00bb. 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