{"id":3324,"date":"2024-12-01T00:05:20","date_gmt":"2024-11-30T23:05:20","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=3324"},"modified":"2024-12-16T15:00:44","modified_gmt":"2024-12-16T14:00:44","slug":"grandir-du-mauvais-cote-de-lhistoire","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/12\/01\/grandir-du-mauvais-cote-de-lhistoire\/","title":{"rendered":"Grandir du mauvais c\u00f4t\u00e9 de l\u2019Histoire"},"content":{"rendered":"

Depuis un an, les \u00e9ditions du Seuil \u2013 qui s\u2019\u00e9taient nagu\u00e8re essay\u00e9es au genre \u00e0 l\u2019initiative de Jacques Binsztok, publiant notamment La Mouche<\/em> de Trondheim et Monsieur Fruit<\/em> de De Cr\u00e9cy \u2013 reconstruisent un d\u00e9partement bande dessin\u00e9e, sous la supervision avis\u00e9e de Thomas Ragon, transfuge de Dargaud.<\/p>\n

Parmi les huit ou dix titres d\u00e9j\u00e0 parus, le tout r\u00e9cent Une Br\u00e8ve Histoire de l\u2019\u00c9galit\u00e9<\/em>, par S\u00e9bastien Vassant et Stephen Desberg d\u2019apr\u00e8s le livre de Thomas Piketty, s\u2019annonce d\u00e9j\u00e0 comme un bestseller. Mais l\u2019album dont je voudrais dire un mot ici est celui de Koenraad Tinel, paru en septembre, Le Seau. Souvenirs dessin\u00e9s d\u2019une guerre<\/em>.<\/p>\n

Dessinateur et sculpteur sur m\u00e9tal, Tinel est ne\u0301 a\u0300 Gand en 1934. Il est l\u2019auteur de deux romans graphiques<\/em> (si l\u2019on choisit de d\u00e9signer ainsi ces suites de dessins en pleine page, qui peuvent \u00eatre compar\u00e9s \u00e0 l\u2019\u0153uvre d\u2019une Charlotte Salomon) autobiographiques. Curieusement, le premier publi\u00e9, Flandria Catholica<\/em> (\u00e9d. Peeters, 2010), qui n\u2019a pas \u00e9t\u00e9 traduit, concernait la p\u00e9riode imm\u00e9diatement post\u00e9rieure \u00e0 celle que relate Le Seau<\/em>, les ann\u00e9es de l\u2019apr\u00e8s-guerre (de 1946 \u00e0 1952), que l\u2019auteur v\u00e9cut dans une Flandre \u00e9touff\u00e9e par le catholicisme.<\/p>\n

\"KoenraadL\u2019\u00e9dition originale du Seau<\/em> a paru treize ans plus tard chez l\u2019\u00e9diteur Oogachtend. Il s\u2019agit cette fois de l\u2019enfance de Tinel, qui avait sept ans lorsque la Seconde Guerre mondiale \u00e9clata et qui eut le malheur de grandir au sein d\u2019une famille antis\u00e9mite, collaborationniste, idol\u00e2trant Hitler. Ses fr\u00e8res a\u00een\u00e9s s\u2019engag\u00e8rent dans les forces fascistes tandis que lui, par chance, \u00e9chappa \u00e0 l\u2019enr\u00f4lement en raison de son jeune \u00e2ge. Divis\u00e9 en chapitres, Le Seau<\/em> raconte la d\u00e9rive id\u00e9ologique d\u2019une famille flamande, sa joie quand la Belgique capitula devant les troupes nazies, sa panique quand les Alli\u00e9s d\u00e9barqu\u00e8rent. Elle dut trouver refuge en Allemagne, dans des villages \u00e9loign\u00e9s du front o\u00f9 ne vivaient plus que des femmes et des enfants. Jusqu\u2019\u00e0 ce que le Reich f\u00fbt vaincu et que l\u2019on demand\u00e2t des comptes \u00e0 ses z\u00e9lateurs.<\/p>\n

Koenraad Tinel raconte tous ces \u00e9v\u00e9nements tels qu\u2019il a pu les vivre enfant, avec une grande sobri\u00e9t\u00e9 dans le choix des mots, qui laissent peu de place aux affects. Laconique, la derni\u00e8re phrase est d\u2019une port\u00e9e insondable\u00a0: \u00ab Jamais je ne pourrai me r\u00e9concilier avec cette histoire. \u00bb Ses dessins en noir et blanc, \u00e0 l\u2019encre et au lavis, d\u2019une facture enlev\u00e9e et brutale, vont eux aussi \u00e0 l\u2019essentiel. En quelques traits de pinceaux, ils \u00e9voquent un personnage, un paysage, une situation, sans rien d\u00e9crire. Beaucoup sont d\u2019une puissance saisissante.<\/p>\n

\"Koenraad

\u00a9 \u00e9ditions du Seuil<\/p><\/div>\n

On regrettera toutefois que le t\u00e9moignage manque parfois un peu de chair et de consistance. Koenraad s\u2019implique peu dans son r\u00e9cit, se r\u00e9fugiant derri\u00e8re un simple proc\u00e8s-verbal des faits. Quant au seau \u00e9voqu\u00e9 dans le titre (qui, dans la version originale, \u00e9tait plus explicitement d\u00e9sign\u00e9 comme un \u00ab seau \u00e0 merde \u00bb, ein Scheisseimer<\/em>), il nous est dit qu\u2019il accompagna la famille tout au long de sa fuite, mais on ne le voit que deux fois et finalement il ne tient aucune place significative dans le livre.<\/p>\n

Avant de la publier, Tinel avait fait de son histoire un spectacle, un seul-en-sc\u00e8ne o\u00f9 il s\u2019accompagnait au piano (un autre de ses talents) et o\u00f9 ses dessins \u00e9taient projet\u00e9s. Maintenant r\u00e9unis dans les pages d\u2019un livre, ils forment un t\u00e9moignage rare, dont la lecture, assur\u00e9ment, et en d\u00e9pit des r\u00e9serves exprim\u00e9es, ne laisse pas indemne.<\/p>\n

\"Koenraad

\u00a9 \u00e9ditions du Seuil<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

Depuis un an, les \u00e9ditions du Seuil \u2013 qui s\u2019\u00e9taient nagu\u00e8re essay\u00e9es au genre \u00e0 l\u2019initiative de Jacques Binsztok, publiant notamment La Mouche de Trondheim et Monsieur Fruit de De Cr\u00e9cy \u2013 reconstruisent un d\u00e9partement bande dessin\u00e9e, sous la supervision avis\u00e9e de Thomas Ragon, transfuge de Dargaud. Parmi les huit ou dix titres d\u00e9j\u00e0 […]<\/p>\n","protected":false},"author":1,"featured_media":3330,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-3324","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nGrandir du mauvais c\u00f4t\u00e9 de l\u2019Histoire - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/12\/01\/grandir-du-mauvais-cote-de-lhistoire\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Grandir du mauvais c\u00f4t\u00e9 de l\u2019Histoire - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"Depuis un an, les \u00e9ditions du Seuil \u2013 qui s\u2019\u00e9taient nagu\u00e8re essay\u00e9es au genre \u00e0 l\u2019initiative de Jacques Binsztok, publiant notamment La Mouche de Trondheim et Monsieur Fruit de De Cr\u00e9cy \u2013 reconstruisent un d\u00e9partement bande dessin\u00e9e, sous la supervision avis\u00e9e de Thomas Ragon, transfuge de Dargaud. 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