{"id":3301,"date":"2024-11-21T10:37:34","date_gmt":"2024-11-21T09:37:34","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=3301"},"modified":"2024-11-21T10:41:20","modified_gmt":"2024-11-21T09:41:20","slug":"l-art-comique-une-specialite-allemande","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/11\/21\/l-art-comique-une-specialite-allemande\/","title":{"rendered":"L\u2019\u00ab art comique \u00bb : une sp\u00e9cialit\u00e9 allemande"},"content":{"rendered":"<p>L\u2019inauguration, le samedi 16 novembre, de la nouvelle exposition du Cartoonmuseum de B\u00e2le me fournit l\u2019occasion de consacrer un billet \u00e0 une veine qui s\u2019\u00e9panouit en terre germanique, sans gu\u00e8re avoir d\u2019\u00e9quivalent chez nous\u00a0: le <em>komische Kunst<\/em>, dont Gerhard Gl\u00fcck, auquel cette r\u00e9trospective est consacr\u00e9e pour ses 80 ans, est un des meilleurs repr\u00e9sentants. Ses \u0153uvres graphiques empruntent \u00e0 la grande tradition du dessin d\u2019humour leurs situations cocasses, insolites ou absurdes, en tout cas d\u00e9cal\u00e9es, parfois aussi po\u00e9tiques, oniriques ou m\u00e9lancoliques, mais \u00e0 la peinture leur facture l\u00e9ch\u00e9e et chromatiquement subtile.<\/p>\n<div id=\"attachment_3309\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3309\" class=\"lazyload wp-image-3309 size-fusion-600\" src=\"https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/expo-Gerhard-Gluck-600x450.jpg\" data-orig-src=\"https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/expo-Gerhard-Gluck-600x450.jpg\" alt=\"\" width=\"600\" height=\"450\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27600%27%20height%3D%27450%27%20viewBox%3D%270%200%20600%20450%27%3E%3Crect%20width%3D%27600%27%20height%3D%27450%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/expo-Gerhard-Gluck-200x150.jpg 200w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/expo-Gerhard-Gluck-300x225.jpg 300w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/expo-Gerhard-Gluck-400x300.jpg 400w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/expo-Gerhard-Gluck-600x450.jpg 600w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/expo-Gerhard-Gluck-768x576.jpg 768w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/expo-Gerhard-Gluck-800x600.jpg 800w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/expo-Gerhard-Gluck-1024x768.jpg 1024w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/expo-Gerhard-Gluck-1200x900.jpg 1200w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/expo-Gerhard-Gluck-1536x1152.jpg 1536w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/expo-Gerhard-Gluck.jpg 1632w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-3309\" class=\"wp-caption-text\">\u00ab\u00a0Gerhard Gl\u00fcck, Das einfache Leben\u00a0\u00bb (photo Thierry Groensteen)<\/p><\/div>\n<p>Il est vrai que l\u2019appellation <em>komische Kunst<\/em> est souvent entendue dans une acception plus large\u00a0: elle englobe alors toute expression artistique visant \u00e0 produire un effet comique, qu\u2019il s\u2019agisse d\u2019un tableau, d\u2019un dessin d\u2019humour, d\u2019une sculpture grotesque ou d\u2019une caricature. Et certes il est possible de d\u00e9gager une g\u00e9n\u00e9alogie de cet art humoristique\u00a0: c\u2019est celle qu\u2019ont par exemple retrac\u00e9e les auteurs, r\u00e9unis sous la direction de Roland Kanz, de l\u2019ouvrage <em>Das Komische in der Kunst<\/em> (B\u00f6hlau, 2007). Selon les lieux d\u2019exposition d\u00e9di\u00e9s au <em>komische Kunst<\/em>(citons le <em>Caricatura Museum Frankfurt \u2013 Museum f\u00fcr Komische Kunst<\/em>, la <em>Caricatura Galerie f\u00fcr Komische Kunst<\/em> \u00e0 Kassel, ou la galerie <em>Das Skurrileum<\/em> \u00e0 Stralsund) ou qui l\u2019accueillent plus occasionnellement (le Wilhelm-Busch Museum de Hanovre et, donc, la Cartoonmuseum de B\u00e2le), la d\u00e9finition est plus ou moins large. Ainsi la Caricatura Galerie de Kassel se concentre-t-elle essentiellement sur le cartoon et le dessin de presse \u2013 dont le fer de lance, dans la presse d\u2019outre-Rhin, est le magazine <em>Titanic<\/em>, publi\u00e9 depuis 1979.<\/p>\n<p>Mais dans une acception plus restrictive, on d\u00e9signera comme relevant du <em>komische Kunst<\/em> les \u0153uvres qui utilisent un m\u00e9dium relevant des beaux-arts, en l\u2019occurrence la peinture, \u00e0 des fins peu acad\u00e9miques.<\/p>\n<p>La s\u00e9rie des 69 bustes grimaciers (appel\u00e9s \u00ab t\u00eates de caract\u00e8re \u00bb) sculpt\u00e9s dans le marbre par Franz Xaver Messershmidt (1736-1783) en constitue un exemple rest\u00e9 fameux. Plus pr\u00e8s de nous, on peut citer les portraits-charge peints de Sebastian Kruger, ou les caricatures politiques, elles aussi peintes, de l\u2019Autrichien Gerhard Haderer. (Ce dernier est, avec Ernst Kahl et Rudi Hurzlmeier, l\u2019un des trois artistes r\u00e9unis dans le livre <em>Die Komische Kunst<\/em>, paru chez Lappan en 1997.) C\u2019est \u00e0 cette veine, celle du \u00ab <em>gemalte bildwitz<\/em> \u00bb (l\u2019image dr\u00f4le peinte) que se rattache Gerhard Gl\u00fcck, tout comme Bernd Pfarr (1958-2004, objet d\u2019une monographie tout simplement intitul\u00e9e\u2026 <em>Komische Kunst<\/em>, parue chez Kein &amp; Aber, en 2003) ou encore Rold Tiemann.<\/p>\n<p>L\u2019\u0153uvre de Gerhard Gl\u00fcck r\u00e9unit deux traits fr\u00e9quents dans le champ du <em>komische Kunst<\/em>\u00a0: le d\u00e9tournement malicieux des ma\u00eetres de l\u2019histoire de l\u2019art (tel, pour ce qui le concerne, C\u00e9zanne, Van Gogh, Hopper, Munch et bien d&rsquo;autres), et\u00a0la confrontation des r\u00e8gnes humain et animal, embarqu\u00e9s dans une m\u00eame folie douce.<\/p>\n<div id=\"attachment_3311\" style=\"width: 410px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3311\" class=\"lazyload wp-image-3311 size-fusion-400\" src=\"https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/Gerhard_Gluck-400x301.jpg\" data-orig-src=\"https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/Gerhard_Gluck-400x301.jpg\" alt=\"\" width=\"400\" height=\"301\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27400%27%20height%3D%27301%27%20viewBox%3D%270%200%20400%20301%27%3E%3Crect%20width%3D%27400%27%20height%3D%27301%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/Gerhard_Gluck-200x150.jpg 200w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/Gerhard_Gluck-300x226.jpg 300w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/Gerhard_Gluck-400x301.jpg 400w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/Gerhard_Gluck.jpg 601w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3311\" class=\"wp-caption-text\">\u00a9 Gerhard Gl\u00fcck<\/p><\/div>\n<p>On conna\u00eet un peu en France le travail du collectif d\u2019artistes \u00ab\u00a0interDuck\u00a0\u00bb qui revisite depuis 1982 toute l\u2019histoire mondiale de l\u2019art, en cr\u00e9ant peintures, sculptures, installations et faux en tous genres, dans lesquelles Mickey ou Donald se substituent aux personnages d\u2019origine. J\u2019avais moi-m\u00eame int\u00e9gr\u00e9 quatre de ses \u0153uvres (une <em>Mona Lisa<\/em> d\u2019apr\u00e8s L\u00e9onard, une <em>Baigneuse<\/em>d\u2019apr\u00e8s Rembrandt, <em>Duck drowning <\/em>d\u2019apr\u00e8s Lichtenstein et <em>Composition en jaune, bleu, noir, rouge et gris<\/em> d\u2019apr\u00e8s Mondrian) dans mon exposition \u00ab Parodies \u00bb, au mus\u00e9e de la Bande dessin\u00e9e, en 2011.<\/p>\n<div id=\"attachment_3322\" style=\"width: 410px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3322\" class=\"lazyload wp-image-3322 size-fusion-400\" src=\"https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/MonaLisa_InterDuck-1-400x502.jpg\" data-orig-src=\"https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/MonaLisa_InterDuck-1-400x502.jpg\" alt=\"\" width=\"400\" height=\"502\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27400%27%20height%3D%27502%27%20viewBox%3D%270%200%20400%20502%27%3E%3Crect%20width%3D%27400%27%20height%3D%27502%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/MonaLisa_InterDuck-1-200x251.jpg 200w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/MonaLisa_InterDuck-1-239x300.jpg 239w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/MonaLisa_InterDuck-1-400x502.jpg 400w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/MonaLisa_InterDuck-1-600x752.jpg 600w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/MonaLisa_InterDuck-1-768x963.jpg 768w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/MonaLisa_InterDuck-1-800x1003.jpg 800w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/MonaLisa_InterDuck-1-817x1024.jpg 817w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/MonaLisa_InterDuck-1-1200x1505.jpg 1200w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/MonaLisa_InterDuck-1-1225x1536.jpg 1225w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/11\/MonaLisa_InterDuck-1.jpg 1417w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-3322\" class=\"wp-caption-text\">\u00a9 interDuck<\/p><\/div>\n<p>(Je glisse ici un souvenir personnel. En 1994, je me trouvai au Wilhelm-Busch Museum de Hanovre le soir du vernissage d\u2019une exposition des \u0153uvres d\u2019Ernst Kahl. Tout \u00e0 coup, on demanda au public d\u2019\u00e9vacuer les salles et de se r\u00e9fugier pour quelque temps au jardin. En cause\u00a0: une peinture jug\u00e9e offensante par l\u2019\u00e9v\u00eaque de la ville, qui exigeait son retrait. On y voyait une religieuse, dans sa chambre, en train d\u2019enfiler un bas. Au-dessus de son lit se trouvait accroch\u00e9 un crucifix. Le Christ, louchant sur la cuisse d\u00e9nud\u00e9e, y arborait une splendide \u00e9rection.)<\/p>\n<p>L\u2019humour germanique s\u2019exporte assez mal, en g\u00e9n\u00e9ral (contrairement \u00e0 l\u2019humour anglo-saxon), et il faut convenir que nombre d\u2019\u0153uvres relevant du <em>komische Kunst<\/em> peineront \u00e0 d\u00e9rider le public fran\u00e7ais. Sans pr\u00e9juger de la qualit\u00e9 des travaux des uns et des autres, il me paraissait int\u00e9ressant de pointer ce tropisme singulier, consistant, pour des fabricants d\u2019images qui se veulent dr\u00f4les, \u00e0 emprunter une forme \u00ab noble \u00bb.<\/p>\n<p>Qu\u2019est-ce, exactement, qui les motive\u00a0? Est-ce ce la volont\u00e9 de \u00ab d\u00e9mocratiser \u00bb le grand art, de le rendre accessible en l\u2019ouvrant \u00e0 l\u2019anecdotique, \u00e0 la d\u00e9rision\u00a0? Est-ce, au contraire, le souhait de magnifier des productions habituellement regard\u00e9es comme triviales\u00a0? Ou s\u2019agit-il de flatter un public n\u00e9ophyte en lui donnant \u00e0 bon compte l\u2019illusion de s\u2019int\u00e9resser aux choses de l\u2019art\u00a0? La question reste ouverte.<\/p>\n<p>[ L\u2019exposition \u00ab Gerhard Gl\u00fcck. Das einfache Leben \u00bb (G.G. La vie simple) est \u00e0 voir du 16 novembre 2024 au 9 mars 2025. ]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019inauguration, le samedi 16 novembre, de la nouvelle exposition du Cartoonmuseum de B\u00e2le me fournit l\u2019occasion de consacrer un billet \u00e0 une veine qui s\u2019\u00e9panouit en terre germanique, sans gu\u00e8re avoir d\u2019\u00e9quivalent chez nous\u00a0: le komische Kunst, dont Gerhard Gl\u00fcck, auquel cette r\u00e9trospective est consacr\u00e9e pour ses 80 ans, est un des meilleurs repr\u00e9sentants. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3310,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-3301","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>L\u2019\u00ab art comique \u00bb : une sp\u00e9cialit\u00e9 allemande - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/11\/21\/l-art-comique-une-specialite-allemande\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019\u00ab art comique \u00bb : une sp\u00e9cialit\u00e9 allemande - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"L\u2019inauguration, le samedi 16 novembre, de la nouvelle exposition du Cartoonmuseum de B\u00e2le me fournit l\u2019occasion de consacrer un billet \u00e0 une veine qui s\u2019\u00e9panouit en terre germanique, sans gu\u00e8re avoir d\u2019\u00e9quivalent chez nous\u00a0: le komische Kunst, dont Gerhard Gl\u00fcck, auquel cette r\u00e9trospective est consacr\u00e9e pour ses 80 ans, est un des meilleurs repr\u00e9sentants. 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