{"id":3229,"date":"2024-10-12T00:05:41","date_gmt":"2024-10-11T22:05:41","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=3229"},"modified":"2024-10-05T15:27:16","modified_gmt":"2024-10-05T13:27:16","slug":"dans-lintimite-de-pessoa","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/10\/12\/dans-lintimite-de-pessoa\/","title":{"rendered":"Dans l\u2019intimit\u00e9 de Pessoa"},"content":{"rendered":"

Toutes les cat\u00e9gories d\u2019artistes ont d\u00e9sormais droit \u00e0 leur biographie dessin\u00e9e\u00a0: architectes (Le Corbusier, architecte parmi les hommes<\/em>, de Th\u00e9venet et R\u00e9b\u00e9na, Dupuis, 2010), musiciens (L\u00e9onard Cohen\u00a0: sur un fil<\/em>, de Philippe Girard, Casterman, 2021), sculpteurs (Brancusi contre \u00c9tats-Unis<\/em>, de Arnaud Nebbache, Dargaud, 2023), cin\u00e9astes (Alice Guy<\/em>, de Catel et Bosquet, Casterman, 2021), peintres (cent exemples ici, dont le r\u00e9cent Dali<\/em> de Julie Birmant et Cl\u00e9ment Oubrerie, chez Dargaud), et m\u00eame cr\u00e9ateurs de bande dessin\u00e9e (Les Aventures d\u2019Herg\u00e9<\/em>, par Bocquet, Fromental et Stanislas, \u00e9dition augment\u00e9e\u00a0: Dargaud, 2017).<\/p>\n

\"\"<\/p>\n

Les \u00e9crivains ne sont pas en reste\u00a0: apr\u00e8s Rimbaud, Camus, Woolf, Zweig, Hemingway et quelques autres, voici, peut-\u00eatre moins attendu, L\u2019Intranquille Monsieur Pessoa<\/em>, de Barral (\u00e9ditions Dargaud), l\u2019une des bonnes surprises de cet automne. Le nom de Barral a longtemps \u00e9t\u00e9 associ\u00e9 \u00e0 de la BD de genre\u00a0: polar (la s\u00e9rie Baker Street<\/em>, avec Pierre Veys, trois Nestor Burma<\/em>, en alternance avec Moynot), espionnage (Les Ailes de plomb<\/em>, avec Christophe Gibelin) ou parodie (Les Aventures de Philip et Francis<\/em>, avec Veys encore). Il confirme ici le tournant amorc\u00e9 avec Sur un air de fado<\/em> en 2021, s\u2019affirmant comme un auteur complet de romans graphiques ambitieux et personnels.<\/p>\n

La vie de Fernando Pessoa, le grand \u00e9crivain lisbo\u00e8te, n\u2019a rien de romanesque et ne constitue pas a priori un \u00ab bon sujet \u00bb. Il mena principalement une existence d\u2019employ\u00e9 de bureau, comme traducteur commercial, et en fait de liaison f\u00e9minine, on ne lui connut qu\u2019une \u00e9ph\u00e9m\u00e8re fianc\u00e9e, Of\u00e9lia Queiroz (leur relation avait d\u00e9j\u00e0 inspir\u00e9 nagu\u00e8re un album \u00e0 \u00c9ric Lamb\u00e9\u00a0: Oph\u00e9lie et les directeurs de ressources humaines<\/em>, Fremok, 2000).<\/p>\n

Barral ne fait du reste aucun r\u00e9f\u00e9rence \u00e0 ses ann\u00e9es d\u2019adolescence v\u00e9cues en Afrique du Sud\u00a0: c\u2019est qu\u2019il signe moins une biographie qu\u2019un portrait et une m\u00e9ditation. On le sent fascin\u00e9 par la trajectoire litt\u00e9raire de l\u2019auteur du Livre de l\u2019intranquillit\u00e9<\/em>, qui s\u2019\u00e9tait invent\u00e9 plusieurs dizaines d\u2019alias (les fameux \u00ab\u00a0h\u00e9t\u00e9ronymes \u00bb dont les plus notoires sont Alberto Caeiro, Ricardo Reis, Alvaro de Campos et Bernardo Soares) et qui, \u00e0 sa mort, laissa une malle remplie de textes in\u00e9dits, lui qui n\u2019avait eu le temps de publier qu\u2019un seul livre en portugais de son vivant, le recueil de po\u00e8mes Message<\/em> (mensagem<\/em>), en 1934.<\/p>\n

\"Barral,

Barral, \u00ab\u00a0L’intranquille Monsieur Pessoa\u00a0\u00bb, p. 118 (d\u00e9tail) – \u00a9 Dargaud<\/p><\/div>\n

Sa mort, justement, survenue \u00e0 l\u2019\u00e2ge pr\u00e9coce de 47 ans et caus\u00e9e par une cirrhose, aimante l\u2019ensemble du r\u00e9cit. Pour \u00e9clairer les aspects qui l\u2019int\u00e9ressent de la vie et de la personnalit\u00e9 de son mod\u00e8le, Barral met ses pas dans ceux d\u2019un journaliste (qui se r\u00eave lui-m\u00eame \u00e9crivain) charg\u00e9 d\u2019\u00e9crire la notice n\u00e9crologique et qui m\u00e8ne l\u2019enqu\u00eate aupr\u00e8s de ses proches, tandis que Pessoa lui-m\u00eame, pr\u00e9matur\u00e9ment vieilli, vit ses derniers jours, secou\u00e9 de quintes de toux.<\/p>\n

Il en r\u00e9sulte un r\u00e9cit fa\u00e7on puzzle, avec des allers-retours dans le temps, et un double \u00e9parpillement de la personne de Pessoa\u00a0: entre ses diff\u00e9rents h\u00e9t\u00e9ronymes (personnifi\u00e9s par des sortes de \u00ab fant\u00f4mes \u00bb avec lesquels il est aux prises, et qui paraissent r\u00e9els) et les visages qu\u2019il a pr\u00e9sent\u00e9s \u00e0 des \u00e2ges diff\u00e9rents (r\u00e9capitul\u00e9s dans une belle planche, \u00e0 la page 115). Un album qui prend son temps aussi, s\u2019attardant sur les d\u00e9ambulations des personnages dans Lisbonne, ou les s\u00e9ances de rasage quotidiennes chez le barbier \u2013 et qui doit \u00eatre lu de m\u00eame, sans pr\u00e9cipitation.<\/p>\n

\"Barral,

Barral, \u00ab\u00a0L’intranquille Monsieur Pessoa\u00a0\u00bb, p. 115 – \u00a9 Dargaud<\/p><\/div>\n

Un livre, enfin, qui sera d\u2019autant mieux appr\u00e9ci\u00e9 que le lecteur poss\u00e9dera d\u00e9j\u00e0 une certaine familiarit\u00e9 avec l\u2019\u0153uvre de Pessoa, car nombre de r\u00e9f\u00e9rences ne sont pas explicit\u00e9es. Tel bureau de tabac aper\u00e7u de ses fen\u00eatres lui a inspir\u00e9 un texte c\u00e9l\u00e8bre, et les papillons qui se posent sur lui proviennent d\u2019un po\u00e8me dont les premiers vers sont<\/p>\n

Passe un papillon devant moi<\/em><\/p>\n

Et pour la premi\u00e8re fois dans l\u2019univers je remarque<\/em><\/p>\n

Que les papillons n\u2019ont pas plus de couleur que de mouvement<\/em><\/p>\n

 <\/p>\n

[Barral, L\u2019Intranquille Monsieur Pessoa<\/em>, Dargaud, 136 pages, 25 \u20ac.]<\/p>\n","protected":false},"excerpt":{"rendered":"

Toutes les cat\u00e9gories d\u2019artistes ont d\u00e9sormais droit \u00e0 leur biographie dessin\u00e9e\u00a0: architectes (Le Corbusier, architecte parmi les hommes, de Th\u00e9venet et R\u00e9b\u00e9na, Dupuis, 2010), musiciens (L\u00e9onard Cohen\u00a0: sur un fil, de Philippe Girard, Casterman, 2021), sculpteurs (Brancusi contre \u00c9tats-Unis, de Arnaud Nebbache, Dargaud, 2023), cin\u00e9astes (Alice Guy, de Catel et Bosquet, Casterman, 2021), peintres […]<\/p>\n","protected":false},"author":1,"featured_media":3231,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-3229","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nDans l\u2019intimit\u00e9 de Pessoa - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/10\/12\/dans-lintimite-de-pessoa\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dans l\u2019intimit\u00e9 de Pessoa - 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