{"id":3028,"date":"2024-06-10T00:05:31","date_gmt":"2024-06-09T22:05:31","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=3028"},"modified":"2024-06-04T16:33:06","modified_gmt":"2024-06-04T14:33:06","slug":"inside-jean-giraud","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/06\/10\/inside-jean-giraud\/","title":{"rendered":"Inside Jean Giraud"},"content":{"rendered":"

\u00ab Fou de dessin \u00bb\u00a0: l\u2019expression, invent\u00e9e pour Hokusai, pourrait qualifier avec autant de pertinence Jean Giraud, alias Moebius<\/em>. C\u2019est bien la premi\u00e8re \u00e9vidence que l\u2019on retient de la lecture de la remarquable biographie que Christophe Quillien vient de consacrer au cr\u00e9ateur de Blueberry, de l\u2019Incal, d\u2019Arzach et du Major Grubert. Tous les t\u00e9moins interrog\u00e9s, et ils sont nombreux, s\u2019accordent sur le fait que l\u2019homme du Garage herm\u00e9tique<\/em> n\u2019\u00e9tait jamais si pleinement heureux, si compl\u00e8tement lui-m\u00eame et \u00e0 sa place dans le monde que face \u00e0 sa table, le nez coll\u00e9 \u00e0 la feuille. Les voyages n\u2019ont jamais satisfait ses attentes, et les relations sociales, avec leur in\u00e9vitable cort\u00e8ge de rivalit\u00e9s, d\u2019incompr\u00e9hensions et de conflits, lui ont toujours donn\u00e9 l\u2019impression d\u2019un terrain min\u00e9.<\/p>\n

Le dessin, donc (ses incursions dans la peinture ne l\u2019ont pas convaincu), mais plus sp\u00e9cifiquement encore la bande dessin\u00e9e, dont il d\u00e9clara \u00e0 Numa Sadoul, dans une belle formule, qu\u2019elle \u00e9tait \u00ab sa litt\u00e9rature et son mus\u00e9e \u00bb.<\/p>\n

\"couverture<\/p>\n

Ce g\u00e9ant du neuvi\u00e8me art m\u00e9ritait bien une biographie. C\u2019est chose faite, \u00e0 travers une somme fouill\u00e9e et sans complaisance. Quatre ann\u00e9es de travail et plus de 500 pages tass\u00e9es ne laissent plus gu\u00e8re de secrets \u00e0 l\u2019homme et \u00e0 l\u2019artiste. En lisant Quillien, on d\u00e9couvre ou on red\u00e9couvre les moments et aspects les plus saillants de la geste moebiusienne\u00a0: sa d\u00e9couverte du d\u00e9sert, sa rivalit\u00e9 avec les amis M\u00e9zi\u00e8res et Druillet, son accoutumance \u00e0 l\u2019herbe, sa qu\u00eate de ma\u00eetres \u00e0 penser et \u00e0 \u00ab destiner \u00bb (comme il l\u2019\u00e9crivit dans son autobiographie Histoire de mon double<\/em>), son attirance pour les sexualit\u00e9s d\u00e9viantes, son incroyable productivit\u00e9, ses relations avec Jean-Michel Charlier et Alejandro Jodorowsky, son conflit int\u00e9rieur entre attachement au classicisme et app\u00e9tit de transgression, d\u2019avant-garde. Jean Giraud \u00e9tait un homme travers\u00e9 de doutes et de contradictions, qui \u00ab avait peur de lui-m\u00eame \u00bb selon les mots de Claudine sa premi\u00e8re femme (p. 171).<\/p>\n

Des aspects moins connus de sa carri\u00e8re sont aussi mis en lumi\u00e8re, comme l\u2019enseignement qu\u2019il dispensa \u00e0 l\u2019universit\u00e9 de Vincennes au cours de l\u2019ann\u00e9e 1971-72, les ann\u00e9es pass\u00e9es \u00e0 Los Angeles (1984-89), au cours desquelles il devint une v\u00e9ritable star am\u00e9ricaine, ses dessins d\u2019actualit\u00e9 pour La Vie<\/em> (2001-2002) ou encore sa participation, en 1992, au projet de revue Le Philographe<\/em>, sorte de mook avant l\u2019heure consacr\u00e9 \u00e0 l\u2019art du dessin, dont, \u00e0 la lecture des th\u00e8mes propos\u00e9s par Jodorowsky, on ne peut que regretter le fait qu\u2019elle n\u2019ait jamais vu le jour. Qu\u2019on en juge\u00a0: \u00ab le trait, les sujets difficiles \u00e0 dessiner ou qui provoquent l\u2019aversion d\u2019un dessinateur, la honte, la dilatation du temps, la peur et l\u2019exacerbation \u00bb (p. 422)\u2026<\/p>\n

Sortant de seize mois de travail d\u00e9di\u00e9s \u00e0 la conception de l\u2019exposition que l\u2019on sait au Centre Pompidou, j\u2019ai appris non sans amusement et perplexit\u00e9 que la Biblioth\u00e8que Publique d\u2019Information y avait envisag\u00e9 une r\u00e9trospective Moebius, qui aurait d\u00fb \u00eatre pr\u00e9sent\u00e9e du 15 octobre 1989 au 15 janvier 1990. Le projet \u00e9tait avanc\u00e9 mais ne se concr\u00e9tisa pas, faute, peut-\u00eatre, d\u2019un investissement personnel suffisant de l\u2019int\u00e9ress\u00e9. Jean Annestay, l\u2019un des deux commissaires pressentis, a d\u00e9clar\u00e9 \u00e0 Quillien\u00a0: \u00ab\u00a0De toute fa\u00e7on, les gens du Centre Pompidou nous avaient pr\u00e9venu d\u2019embl\u00e9e\u00a0: ils faisaient une distinction entre \u00ab\u00a0haute\u00a0\u00bb et \u00ab\u00a0basse\u00a0\u00bb culture, et la bande dessin\u00e9e appartenait pour eux \u00e0 la seconde cat\u00e9gorie. \u00bb (p. 533) Le temps, manifestement, a fait son \u0153uvre, modifiant le discours, les attendus et les attitudes. Et Moebius avait \u00e9t\u00e9 \u00ab veng\u00e9 \u00bb, magnifiquement, par la Fondation Cartier.<\/p>\n

Les t\u00e9moignages recueillis dans cette biographie ne donnent pas de l\u2019homme Jean Giraud une image des plus sympathiques. L\u2019admiration pour l\u2019artiste, elle, est unanime. Et elle n\u2019est certainement pas pr\u00e8s de diminuer.<\/p>\n

[ Christophe Quillien, Jean Giraud alias Moebius<\/em>, Seuil, \u00ab\u00a0Biographie\u00a0\u00bb, 26 \u20ac\u00a0; ISBN 978-2-02-147719-1 ]<\/p>\n

\"\"

Poster \u00e9dit\u00e9 par Stardom au milieu des ann\u00e9es 1990 (acrylique et plume). Repris dans \u00ab\u00a0Blueberry’s\u00a0\u00bb, Stardom, 1997.<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

\u00ab Fou de dessin \u00bb\u00a0: l\u2019expression, invent\u00e9e pour Hokusai, pourrait qualifier avec autant de pertinence Jean Giraud, alias Moebius. C\u2019est bien la premi\u00e8re \u00e9vidence que l\u2019on retient de la lecture de la remarquable biographie que Christophe Quillien vient de consacrer au cr\u00e9ateur de Blueberry, de l\u2019Incal, d\u2019Arzach et du Major Grubert. Tous les t\u00e9moins […]<\/p>\n","protected":false},"author":1,"featured_media":3031,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-3028","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nInside Jean Giraud - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/06\/10\/inside-jean-giraud\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Inside Jean Giraud - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"\u00ab Fou de dessin \u00bb\u00a0: l\u2019expression, invent\u00e9e pour Hokusai, pourrait qualifier avec autant de pertinence Jean Giraud, alias Moebius. 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