{"id":3001,"date":"2024-05-26T00:05:21","date_gmt":"2024-05-25T22:05:21","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=3001"},"modified":"2025-08-14T14:14:03","modified_gmt":"2025-08-14T12:14:03","slug":"en-arles-la-fete-au-dessin","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/05\/26\/en-arles-la-fete-au-dessin\/","title":{"rendered":"En Arles, la f\u00eate au dessin"},"content":{"rendered":"

\u00c0 bas bruit, l\u2019aventure \u00e9ditoriale exemplaire des Cahiers dessin\u00e9s<\/em> cr\u00e9\u00e9s par Fr\u00e9d\u00e9ric Pajak en 2002 se poursuit et m\u00eame s\u2019amplifie, \u00e9mancip\u00e9e de sa maison m\u00e8re d\u2019origine, Buchet-Chastel. Autour de la revue, un catalogue s\u2019est construit autour d\u2019un axe qui ne peut que me r\u00e9jouir\u00a0: la c\u00e9l\u00e9bration du dessin sous toutes ses formes. Plus de cent recueils et beaux livres, quelques essais, depuis 2021 une deuxi\u00e8me revue intitul\u00e9e L\u2019Amour<\/em>\u00a0: le catalogue force le respect, non seulement pour la pers\u00e9v\u00e9rance de la d\u00e9marche mais pour son intransigeance \u2013 non d\u00e9pourvue d\u2019une certaine aust\u00e9rit\u00e9 \u2013 et sa qualit\u00e9 d\u2019ensemble.<\/p>\n

\"couverture<\/p>\n

S\u2019y ajoute, depuis l\u2019ann\u00e9e derni\u00e8re, le Catalogue <\/em>annuel du Festival du dessin organis\u00e9 \u00e0 Arles, dont l\u2019\u00e9dition 2024 se tenait du 20 avril au 19 mai, dans tous les lieux d\u2019exposition de la ville, avec Tomi Ungerer pour t\u00eate d\u2019affiche. D\u00e9j\u00e0 h\u00f4te des fameuses Rencontres de la Photogr\u00a0\u00a0\u00a0 aphie, la ville, qui est aussi le berceau des \u00e9ditions Actes Sud, s\u2019affirme toujours plus comme une capitale culturelle, avec un accent particulier mis sur l\u2019image.<\/p>\n

Le rubriquage du Catalogue<\/em> du Festival du dessin laisse perplexe, avec des cat\u00e9gories plut\u00f4t floues et qui paraissent se chevaucher\u00a0: \u00ab Classiques des temps modernes \u00bb, \u00ab Dessinateurs du temps pass\u00e9 et du temps pr\u00e9sent \u00bb ou encore \u00ab Le dessin, ce messager \u00bb. Mais ce n\u2019est qu\u2019un d\u00e9tail, et l\u2019amateur sera combl\u00e9 par les pr\u00e9sentations (forc\u00e9ment succinctes, mais suffisantes pour procurer le plaisir des retrouvailles ou de la d\u00e9couverte) des quarante-deux artistes expos\u00e9s cette ann\u00e9e \u2013 tous diff\u00e9rents de la premi\u00e8re \u00e9dition. Chacun nous fait \u00e9prouver, \u00e0 sa mani\u00e8re unique, ce \u00ab\u00a0savoir-faire \u00e0 la fois intime et spectaculaire \u00bb (pour reprendre les mots de Pajak) qui caract\u00e9rise l\u2019art du dessin.<\/p>\n

Le g\u00e9n\u00e9rique annonce Goossens et Wolinski aux c\u00f4t\u00e9s de Dubuffet, Giacometti, Michaux ou Beuys, ce qui, pour le moins, t\u00e9moigne d\u2019un bel \u00e9clectisme. Celui-ci se retrouve naturellement au plan des techniques\u00a0:\u00a0 dessin au trait, lavis, aquarelle, gouache, papier d\u00e9coup\u00e9, pointe s\u00e8che, eau-forte, lithographie, graffiti\u2026 \u00c9trangement, tous les dessinateurs issus du champ de la bande dessin\u00e9e ou qui ont un temps flirt\u00e9 avec elle se retrouvent dans un m\u00eame chapitre un peu fourre-tout, \u00ab Dessin de presse et d\u2019humeur \u00bb, aux c\u00f4t\u00e9s d\u2019autres artistes avec lesquels on peine \u00e0 leur trouver quelque rapport. Les anciens lecteurs de Charlie mensuel<\/em> seront contents de retrouver la rare signature de Christian Roux, qui autrefois se faisait appeler Cathy Millet. Elle y voisine avec celle d\u2019un autre artiste qui fut lui aussi \u00e0 l\u2019honneur dans le mensuel des \u00e9ditions du Square, Guido Buzzelli. Pajak est manifestement entich\u00e9 de ce dernier, dont il a republi\u00e9 les \u0152uvres<\/em> en quatre fort volumes, voyant en lui \u00ab du Piran\u00e8se et du Goya \u00bb, mais \u00e9galement \u00ab du Gogol et du Kafka \u00bb. Pour ma part, je ne tiens pas Buzzelli pour n\u00e9gligeable mais il me semble que son art a consid\u00e9rablement vieilli, et ce sont bien ses dessins qui m\u2019int\u00e9ressent le moins dans l\u2019ensemble de ce Catalogue<\/em>. Belle surprise, en revanche, et hommage inattendu, que l\u2019exhumation des caricatures de Ren\u00e9 Goscinny, datant de l\u2019\u00e9poque o\u00f9 il n\u2019avait pas encore abandonn\u00e9 le crayon pour la machine \u00e0 \u00e9crire.<\/p>\n

\"\"

Dessin de Ren\u00e9 Goscinny, sans titre et sans l\u00e9gendes, vers 1949.<\/p><\/div>\n

Et comment ne serais-je pas \u00e9treint par l\u2019\u00e9motion en tombant sur les \u0153uvres (feutre, aquarelle et collages) d\u2019Antoine Capitani, le fils de Jean-Paul Capitani et Fran\u00e7oise Nyssen\u00a0? La seule unique fois o\u00f9 j\u2019\u00e9tais all\u00e9 d\u00eener chez eux, en Arles, ce jeune gar\u00e7on attachant et dou\u00e9 avait \u00e9t\u00e9 heureux de me montrer ses dessins et je l\u2019avais encourag\u00e9. Je n\u2019imaginais pas qu\u2019il mettrait fin \u00e0 ses jours dans la nuit du 7 au 8 f\u00e9vrier 2012. Il n\u2019avait pas vingt ans.<\/p>\n

\"dessin

Antoine Capitani (1993-2012), Sans titre, ann\u00e9es 2009 \u00e0 2012<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

\u00c0 bas bruit, l\u2019aventure \u00e9ditoriale exemplaire des Cahiers dessin\u00e9s cr\u00e9\u00e9s par Fr\u00e9d\u00e9ric Pajak en 2002 se poursuit et m\u00eame s\u2019amplifie, \u00e9mancip\u00e9e de sa maison m\u00e8re d\u2019origine, Buchet-Chastel. Autour de la revue, un catalogue s\u2019est construit autour d\u2019un axe qui ne peut que me r\u00e9jouir\u00a0: la c\u00e9l\u00e9bration du dessin sous toutes ses formes. Plus de […]<\/p>\n","protected":false},"author":1,"featured_media":3003,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-3001","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nEn Arles, la f\u00eate au dessin - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/05\/26\/en-arles-la-fete-au-dessin\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"En Arles, la f\u00eate au dessin - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"\u00c0 bas bruit, l\u2019aventure \u00e9ditoriale exemplaire des Cahiers dessin\u00e9s cr\u00e9\u00e9s par Fr\u00e9d\u00e9ric Pajak en 2002 se poursuit et m\u00eame s\u2019amplifie, \u00e9mancip\u00e9e de sa maison m\u00e8re d\u2019origine, Buchet-Chastel. 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