{"id":2982,"date":"2024-05-16T00:05:28","date_gmt":"2024-05-15T22:05:28","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=2982"},"modified":"2024-05-16T07:31:11","modified_gmt":"2024-05-16T05:31:11","slug":"le-sacre-de-nancy","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/05\/16\/le-sacre-de-nancy\/","title":{"rendered":"Le sacre de Nancy"},"content":{"rendered":"

Nancy a sa place au panth\u00e9on des personnages de comics, aux c\u00f4t\u00e9s de Charlie Brown, de Krazy Kat et de Little Nemo. Ce n\u2019est pas moi qui le dis mais Bill Griffith (Zippy the Pinhead<\/em>), qui vient de consacrer un roman graphique \u00e0 la figure de Ernie Bushmiller (1905-1982), le cr\u00e9ateur de la c\u00e9l\u00e8bre fillette, sous le titre Three Rocks<\/em>. Je ne me le suis pas encore procur\u00e9 et j\u2019y reviendrai peut-\u00eatre ult\u00e9rieurement. Ce qui, pour aujourd\u2019hui, m\u2019int\u00e9resse, c\u2019est le fait que cet ouvrage s\u2019inscrit dans un ensemble d\u2019initiatives visant \u00e0 c\u00e9l\u00e9brer et, disons-le, canoniser d\u00e9finitivement ce personnage, qui ne b\u00e9n\u00e9ficie pas du tout de la m\u00eame aura sur notre sol qu\u2019en terre am\u00e9ricaine.<\/p>\n

Rappelons que Bushmiller reprit en 1925 un comic strip<\/em> paraissant depuis 1922, dont l\u2019h\u00e9ro\u00efne en titre \u00e9tait Fritzi Ritz, starlette \u00e0 Hollywood. Qu\u2019il lui adjoignit une ni\u00e8ce, Nancy, en 1933, qui ne tarda pas \u00e0 devenir le personnage principal, le strip prenant officiellement, cinq ans plus tard, le titre de Nancy<\/em>. Fritzi Ritz, qui a la charge de son \u00e9ducation, ne disparut pas pour autant. Avec le jeune Sluggo, voisin et meilleur copain, ils formeront un trio autour de la fillette de 8 ans, et Bushmiller leur restera d\u00e9vou\u00e9 jusqu\u2019\u00e0 sa mort, pendant pr\u00e8s d\u2019un demi-si\u00e8cle donc. Nancy<\/em> paraissait alors quotidiennement dans pr\u00e8s de 900 journaux\u00a0; elle continue de tenir sa place dans la page des comics, sous d\u2019autres signatures. (En France, Sluggo et Nancy devinrent Arthur et Zo\u00e9<\/em>, qu\u2019on put d\u2019abord suivre dans L\u2019Intr\u00e9pide<\/em> et qui eurent ensuite leur propre titre chez Del Duca.)<\/p>\n

Selon Bill Griffith, \u00ab \u00e0 la diff\u00e9rence de Peanuts<\/em>,\u00a0Nancy<\/em> ne vous explique pas ce que c\u2019est que d\u2019\u00eatre un enfant. Nancy<\/em> vous explique ce que c\u2019est que d\u2019\u00eatre un comic strip. \u00bb Cette heureuse formule exprime le fait que Nancy <\/em>appara\u00eet, pour nombre de dessinateurs et critiques am\u00e9ricains, comme la quintessence m\u00eame du comic strip<\/em>, avec son dessin d\u2019une lisibilit\u00e9 optimale et ses gags d\u00e9sarmants de simplicit\u00e9 (au point que certains qualifient Bushmiller de ma\u00eetre zen !) mais dont beaucoup s’offrent \u00e0 une autre lecture, plus sophistiqu\u00e9e. Car l’auteur ne cesse de jouer avec les lois de la figuration, de la ressemblance, de l’illusion d’optique, et avec les codes m\u00eames du dessin. Rien d’\u00e9tonnant, donc, si les artistes et les intellectuels (de Andy Warhol \u00e0 Art Spiegelman en passant par Joe Brainard) ont exprim\u00e9 leur admiration pour cette \u0153uvre, devenue totalement culte. De quoi faire mentir son auteur pour lequel Nancy<\/em> s\u2019adressait aux \u00ab m\u00e2cheurs de chewing-gum \u00bb et non aux \u00ab\u00a0mangeurs de caviar \u00bb.<\/p>\n

\"\"<\/p>\n

J\u2019avais moi-m\u00eame publi\u00e9, en 2013, un recueil du strip dans les ann\u00e9es 1943-1945 (qui, en plus de briller par les qualit\u00e9s habituelles de la s\u00e9rie, pr\u00e9sentaient l\u2019int\u00e9r\u00eat additionnel de refl\u00e9ter le contexte particulier de la guerre : restrictions, tickets de rationnement, mobilisation des enfants, etc.), mais le public fran\u00e7ais n\u2019adh\u00e9ra pas et il s\u2019en vendit moins de mille exemplaires.<\/p>\n

En 2017, Fantagraphics a publi\u00e9 How to read Nancy. <\/em>The Elements of Comics in Three Easy Panels<\/em>, de Paul Karasik et Mark Newgarden, un livre impressionnant par ses dimensions et sa r\u00e9alisation, dans lequel les deux auteurs diss\u00e9quaient avec une rare minutie tous les \u00e9l\u00e9ments rep\u00e9rables dans le strip du 8 ao\u00fbt 1959 (qui ne pr\u00e9sente pas de caract\u00e8re saillant ou remarquable et qui a \u00e9t\u00e9 choisi pour ainsi dire au hasard).<\/p>\n

Le 22 mai, c\u2019est-\u00e0-dire dans quelques jours, le Billy Ireland Cartoon Library and Museum (institution adoss\u00e9e \u00e0 l\u2019universit\u00e9 de l\u2019Ohio, et qui d\u00e9tient la plus vaste collection de bandes dessin\u00e9es au monde) ouvrira l\u2019exposition The Nancy Show\u00a0: Bushmiller and Beyond<\/em>, qui restera visible jusqu\u2019au 3 Novembre. Con\u00e7ue par Brian Walter (le fils du cr\u00e9ateur de Beetle Bailey, elle r\u00e9unira des originaux, des pages imprim\u00e9es, des photos et des objets d\u00e9clinant la figure de Nancy, ainsi qu\u2019un grand nombre d\u2019\u0153uvres cr\u00e9\u00e9es par toutes sortes d\u2019artistes (des fanzines, des peintures, des parodies) pour la d\u00e9tourner ou lui rendre hommage.<\/p>\n

\"\"

Les trois premiers strips de l’ann\u00e9e 1943. \u00a9 Actes Sud<\/p><\/div>\n

Il faudra attendre le 9 juillet pour d\u00e9couvrir le catalogue, con\u00e7u par Brian Walker et Peter Maresca avec des contributions de plusieurs aficionados parmi lesquels Bill Griffith, Patrick McDonnell et Ivan Brunetti. Dans l\u2019intervalle, le 25 mai, la Ernie Bushmiller Society, une nouvelle soci\u00e9t\u00e9 savante, aura tenu sa premi\u00e8re r\u00e9union.<\/p>\n

[Bandeau titre : d\u00e9tail d’un autoportrait de Bushmiller interrogeant Fritzi Ritz, Nancy et Sluggo. Dessin de 1942.]<\/p>\n","protected":false},"excerpt":{"rendered":"

Nancy a sa place au panth\u00e9on des personnages de comics, aux c\u00f4t\u00e9s de Charlie Brown, de Krazy Kat et de Little Nemo. Ce n\u2019est pas moi qui le dis mais Bill Griffith (Zippy the Pinhead), qui vient de consacrer un roman graphique \u00e0 la figure de Ernie Bushmiller (1905-1982), le cr\u00e9ateur de la c\u00e9l\u00e8bre […]<\/p>\n","protected":false},"author":1,"featured_media":2984,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-2982","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nLe sacre de Nancy - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/05\/16\/le-sacre-de-nancy\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le sacre de Nancy - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"Nancy a sa place au panth\u00e9on des personnages de comics, aux c\u00f4t\u00e9s de Charlie Brown, de Krazy Kat et de Little Nemo. 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