{"id":2891,"date":"2024-04-05T00:05:52","date_gmt":"2024-04-04T22:05:52","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=2891"},"modified":"2024-04-08T11:02:16","modified_gmt":"2024-04-08T09:02:16","slug":"intrepides-heroines-de-lage-dor-des-comics","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/04\/05\/intrepides-heroines-de-lage-dor-des-comics\/","title":{"rendered":"Intr\u00e9pides h\u00e9ro\u00efnes de l\u2019\u00c2ge d\u2019Or des comics"},"content":{"rendered":"

Si la bande dessin\u00e9e francophone a attendu les ann\u00e9es 1970 pour commencer \u00e0 offrir ses premiers r\u00f4les \u00e0 des personnages f\u00e9minins (exception faite des s\u00e9ries rest\u00e9es confin\u00e9es dans les pages des journaux pour fillettes ou adolescentes, et d\u2019une ou deux s\u00e9ries quotidiennes comme Arabelle<\/em> et 13 rue de l\u2019Espoir<\/em>), il existe un domaine \u00e9tranger qui fut pr\u00e9curseur en la mati\u00e8re, c\u2019est celui du comic strip<\/em> am\u00e9ricain. Mais le temps a quelque peu oblit\u00e9r\u00e9 le souvenir des h\u00e9ro\u00efnes de r\u00e9cits d\u2019aventures qui se sont \u00e9panouies dans les pages des comics des ann\u00e9es 1930 et 1940.<\/p>\n

Peter Maresca et Trina Robbins ont eu l\u2019heureuse id\u00e9e de s\u2019associer pour concevoir une remarquable anthologie, publi\u00e9e en grand format (celui des Sunday pages<\/em> de l\u2019\u00e9poque) chez Sunday Press Books, la maison d\u2019\u00e9dition anim\u00e9e par le premier cit\u00e9, qui appartient d\u00e9sormais \u00e0 Fantagraphics. Dauntless Dames<\/em> (\u00ab Femmes intr\u00e9pides \u00bb), ainsi s\u2019intitule cet ouvrage sous-titr\u00e9 Women Stars from the Golden Age of Comics<\/em>.<\/p>\n

Il y avait d\u00e9j\u00e0 des h\u00e9ro\u00efnes dans les comics des ann\u00e9es ant\u00e9rieures, mais il s\u2019agissait de jeunes filles \u00e0 marier (Polly And Her Pals<\/em>), de working girls<\/em> (Winnie Winkle The Breadwinner<\/em>) ou de femmes au foyer (Blondie<\/em>). Celles ressuscit\u00e9es par Maresca et Robbins ont mieux \u00e0 faire que de jouer les dactylos, de s\u2019occuper de mode, d\u2019enfants ou d\u2019\u0153uvres de charit\u00e9. Ce sont d\u2019authentiques aventuri\u00e8res, que les hommes trouvaient sexy et attirantes, et auxquelles les femmes avaient envie de ressembler.<\/p>\n

La plus notoire des dix s\u00e9ries r\u00e9unies dans cette anthologie est Connie<\/em>, de Frank Godwin, qui avait eu les honneurs d\u2019un volume dans la collection \u00ab\u00a0Copyright \u00bb, chez Futuropolis, en 1981, mais qui n\u2019a jamais, \u00e0 ma connaissance, fait l\u2019objet d\u2019une \u00e9dition am\u00e9ricaine de qualit\u00e9. D\u2019abord femme oisive jouissant de moyens confortables, Connie devint reporter, puis d\u00e9tective. Dauntless Dames<\/em> s\u2019attarde plus particuli\u00e8rement sur l\u2019\u00e9pisode, qui d\u00e9buta le 9 ao\u00fbt 1936, au cours duquel la jeune femme se transporta dans le futur. La machine \u00e0 voyager dans le temps qui devait l\u2019y amener \u00e9tait r\u00e9gl\u00e9e de mani\u00e8re \u00e0 lui faire accomplir un bond en avant d\u2019une ann\u00e9e, mais le chat du laboratoire d\u00e9pla\u00e7a involontairement le curseur et Connie se retrouva mille ans plus tard, en 2936\u00a0! De quoi lui faire prononcer son exclamation favorite\u00a0: \u00ab Great Guns\u00a0!<\/em> \u00bb<\/p>\n

\"Deathless

\u00ab\u00a0Deathless Deer\u00a0\u00bb, extrait de la planche du 6 juin 1943<\/p><\/div>\n

Sur les neuf autres s\u00e9ries, cinq \u00e9taient, comme Connie<\/em>, des cr\u00e9ations d\u2019auteurs masculins\u00a0: ce furent respectivement Myra North<\/em>, Flyin\u2019 Jenny<\/em>, Invisible Scarlet O\u2019Neil<\/em> (dou\u00e9e du super-pouvoir \u00e9voqu\u00e9 dans son nom de guerre\u00a0: se rendre invisible), Miss Cairo Jones<\/em> et Claire Voyant<\/em>. Mais les quatre autres devaient l\u2019existence \u00e0 des autrices\u00a0: Brenda Starr<\/em> \u00e0 Dale Messick (1906-2005), Miss Fury<\/em> \u00e0 Tarp\u00e9 Mills (1918-1988), Deathless Deer <\/em>\u00e0 Neysa McMein (1888-1949) associ\u00e9e \u00e0 la sc\u00e9nariste Alice Patterson (1906-1963) et Torchy Brown<\/em>, h\u00e9ro\u00efne de couleur, \u00e0 l\u2019afro-am\u00e9ricaine Jackie Ormes (1911-1985). Toutes ces dames ont leur notice sur Wikip\u00e9dia et j\u2019invite mes lecteurs \u00e0 s\u2019y reporter pour un plus large aper\u00e7u sur leurs carri\u00e8res souvent bien remplies.<\/p>\n

Milton Caniff exer\u00e7a une influence graphique ind\u00e9niable sur beaucoup d\u2019entre elles. Et il est assez amusant d\u2019observer que, n\u2019\u00e9tait leur coiffure, les h\u00e9ro\u00efnes n\u00e9es sous leurs crayons pr\u00e9sentent un air de ressemblance, ob\u00e9issant au m\u00eame canon de la beaut\u00e9 d\u2019\u00e9poque\u00a0: sourcils arqu\u00e9s, petit nez et bouche tr\u00e8s soulign\u00e9e.<\/p>\n","protected":false},"excerpt":{"rendered":"

Si la bande dessin\u00e9e francophone a attendu les ann\u00e9es 1970 pour commencer \u00e0 offrir ses premiers r\u00f4les \u00e0 des personnages f\u00e9minins (exception faite des s\u00e9ries rest\u00e9es confin\u00e9es dans les pages des journaux pour fillettes ou adolescentes, et d\u2019une ou deux s\u00e9ries quotidiennes comme Arabelle et 13 rue de l\u2019Espoir), il existe un domaine \u00e9tranger […]<\/p>\n","protected":false},"author":1,"featured_media":2895,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-2891","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nIntr\u00e9pides h\u00e9ro\u00efnes de l\u2019\u00c2ge d\u2019Or des comics - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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