{"id":2774,"date":"2024-01-29T00:05:43","date_gmt":"2024-01-28T23:05:43","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=2774"},"modified":"2024-01-29T07:21:35","modified_gmt":"2024-01-29T06:21:35","slug":"bodies-du-comic-book-au-petit-ecran","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/01\/29\/bodies-du-comic-book-au-petit-ecran\/","title":{"rendered":"\u00ab\u00a0Bodies\u00a0\u00bb, du comic book au petit \u00e9cran"},"content":{"rendered":"

Bodies <\/em>est une s\u00e9rie cr\u00e9\u00e9e par Paul Tomalin, diffus\u00e9e \u00e0 partir du 19 octobre 2023 sur Netflix. Ambitieuse et convaincante pour Le Monde<\/em>, rat\u00e9e pour Lib\u00e9ration<\/em>, elle a en tout cas rencontr\u00e9 un grand succ\u00e8s et certains la consid\u00e8rent m\u00eame comme culte. Elle est adapt\u00e9e du roman graphique \u00e9ponyme, con\u00e7u et \u00e9crit par le Britannique Si Spencer (1961-2021), publi\u00e9 par DC Comics en\u00a02014-2015 en huit fascicules, puis en volume. Cette bande dessin\u00e9e n\u2019est pas traduite en fran\u00e7ais, et il m\u2019est assez facile d\u2019en imaginer les raisons\u00a0: les quatre dessinateurs qui se sont partag\u00e9s les chapitres sont, selon moi, particuli\u00e8rement m\u00e9diocres (nommons-les n\u00e9anmoins\u00a0: ce sont Dean Ormston, Phil Winslade,\u00a0Meghan Hetrick\u00a0et\u00a0Tula Lotay).<\/p>\n

Quatre dessinateurs, parce que l\u2019intrigue se passe \u00e0 Londres \u00e0 quatre \u00e9poques diff\u00e9rentes, s\u2019\u00e9talant sur plus d\u2019un si\u00e8cle et demi. \u00c0 chaque \u00e9poque, un d\u00e9tective enqu\u00eate sur ce qui semble \u00eatre le m\u00eame\u00a0meurtre, survenu dans la m\u00eame rue de Whitechapel, Longharvest Lane. Ils d\u00e9couvriront peu \u00e0 peu ces connections et comprendront qu\u2019ils sont pris dans une boucle temporelle impliquant la r\u00e9p\u00e9tition de la m\u00eame s\u00e9quence d\u2019\u00e9v\u00e9nements.<\/p>\n

Dans la version comics, plusieurs \u00e9l\u00e9ments donnent \u00e0 penser que Si Spencer a d\u00e9lib\u00e9r\u00e9ment sem\u00e9 quelques r\u00e9f\u00e9rences \u00e0 l\u2019\u0153uvre de son compatriote Alan Moore, ce qui n\u2019est pas surprenant tant celui-ci a marqu\u00e9 l\u2019histoire du comic book. Whitechapel, fameux quartier de l\u2019East End, fut \u00e9videmment le th\u00e9\u00e2tre des crimes de Jack l\u2019\u00e9ventreur (et l\u2019\u00e9poque la plus recul\u00e9e de Bodies<\/em> est contemporaine de ceux-ci), auquel Moore a consacr\u00e9 l\u2019une de ses \u0153uvres ma\u00eetresses, From Hell<\/em>. Par ailleurs, la manipulation de la temporalit\u00e9 \u00e9tait une des caract\u00e9ristiques de Watchmen<\/em>. \u00c0 l\u2019uchronie moorienne r\u00e9pond ici le m\u00e9lange des \u00e9poques.<\/p>\n

\"couverture

Couverture par Fiona Stephenson<\/p><\/div>\n

Curieusement, cette r\u00e9f\u00e9rence est encore beaucoup plus appuy\u00e9e dans la s\u00e9rie Netflix. Le point sur lequel elle s\u2019affranchit le plus nettement de l\u2019\u0153uvre source est tout simplement l\u2019invention du personnage d\u2019Elias Mannix, le \u00ab m\u00e9chant \u00bb, qui n\u2019existe pas dans la bande dessin\u00e9e (ce qui est difficile \u00e0 croire quand on d\u00e9couvre la s\u00e9rie avant d\u2019avoir lu le roman graphique, comme ce fut mon cas, tant il en structure l\u2019intrigue). Et ce dernier ressemble beaucoup \u00e0 Ozymandias (alias Adrian Veidt), en ceci que l\u2019un comme l\u2019autre \u00ab sacrifient \u00bb des centaines de milliers d\u2019innocents au nom d\u2019un imp\u00e9ratif sup\u00e9rieur.<\/p>\n

La perversit\u00e9 du sc\u00e9nario de Bodies<\/em> est que, en vertu de la boucle temporelle instaur\u00e9e par Mannix, cet holocauste est appel\u00e9 \u00e0 se reproduire. Les derniers \u00e9pisodes de la s\u00e9rie prennent donc la forme d\u2019une course contre la montre pour emp\u00eacher Mannix de r\u00e9\u00e9diter son geste en l\u2019en dissuadant \u2013 par des arguments o\u00f9 son sort personnel intervient \u00e0 \u00e9galit\u00e9 avec celui de la population londonienne. L\u00e0 encore, le ressort dramatique n\u2019est pas sans analogie avec celui de Watchmen<\/em>, o\u00f9 Rorschach et le Hibou tentaient d\u2019arriver \u00e0 temps pour se mettre en travers des desseins d\u2019Ozymandias.<\/p>\n

Et (pardon de spoiler la conclusion de la s\u00e9rie\u00a0; ne lisez pas ce qui suit si vous comptez la regarder) ce qu\u2019il y a de remarquable, c\u2019est que cela marche. In fine<\/em> Elias Mannix ouvre les yeux et change d\u2019avis, mettant un terme \u00e0 l\u2019engrenage fatal. Bodies<\/em> propose un cas rarissime dans la fiction\u00a0: celui d\u2019un m\u00e9chant repenti. C\u2019est peut-\u00eatre l\u00e0 ce qui,\u00a0\u00e0 mes yeux, fait l\u2019int\u00e9r\u00eat sup\u00e9rieur de la s\u00e9rie.<\/p>\n

Une derni\u00e8re question pourrait venir \u00e0 l\u2019esprit\u00a0: est-il possible de voir une analogie entre le fait que la bande dessin\u00e9e mobilisait quatre dessinateurs et le fait que la s\u00e9rie, de son c\u00f4t\u00e9, a eu recours \u00e0 deux r\u00e9alisateurs (l\u2019Allemand Marco Kreutzpaintner pour les quatre premiers \u00e9pisodes, puis la Chinoise Haolu Wang)\u00a0? Il est patent que l\u2019alternance entre quatre styles graphiques aux singularit\u00e9s accus\u00e9es donnait \u00e0 la bande dessin\u00e9e un aspect patchwork<\/em>, alors que seul un \u0153il tr\u00e8s exerc\u00e9 pourrait d\u00e9celer le changement de r\u00e9alisateur au milieu de la saison. Sans doute les contraintes et les cahiers des charges des deux \u0153uvres \u00e9taient-ils diff\u00e9rents \u00e0 cet \u00e9gard, l\u2019une jouant de la polygraphie, l\u2019autre s\u2019effor\u00e7ant \u00e0 l\u2019homog\u00e9n\u00e9it\u00e9. Il n\u2019en reste pas moins que la comparaison souligne, s\u2019il en \u00e9tait besoin, la diff\u00e9rence ontologique entre l\u2019image dessin\u00e9e, n\u00e9cessairement sign\u00e9e<\/em>, fond\u00e9e sur un trait idiomatique (pour reprendre une expression de Derrida), et l\u2019image filmique dont les partis pris formels tendent \u00e0 \u00eatre occult\u00e9s au profit du r\u00e9f\u00e9rent.<\/p>\n","protected":false},"excerpt":{"rendered":"

Bodies est une s\u00e9rie cr\u00e9\u00e9e par Paul Tomalin, diffus\u00e9e \u00e0 partir du 19 octobre 2023 sur Netflix. Ambitieuse et convaincante pour Le Monde, rat\u00e9e pour Lib\u00e9ration, elle a en tout cas rencontr\u00e9 un grand succ\u00e8s et certains la consid\u00e8rent m\u00eame comme culte. Elle est adapt\u00e9e du roman graphique \u00e9ponyme, con\u00e7u et \u00e9crit par le […]<\/p>\n","protected":false},"author":1,"featured_media":2776,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-2774","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\n"Bodies", du comic book au petit \u00e9cran - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/01\/29\/bodies-du-comic-book-au-petit-ecran\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Bodies", du comic book au petit \u00e9cran - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"Bodies est une s\u00e9rie cr\u00e9\u00e9e par Paul Tomalin, diffus\u00e9e \u00e0 partir du 19 octobre 2023 sur Netflix. 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