{"id":2765,"date":"2024-01-24T00:05:51","date_gmt":"2024-01-23T23:05:51","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=2765"},"modified":"2024-01-24T08:34:19","modified_gmt":"2024-01-24T07:34:19","slug":"romances-a-la-sauce-anglaise-ou-espagnole","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/01\/24\/romances-a-la-sauce-anglaise-ou-espagnole\/","title":{"rendered":"Romances \u00e0 la sauce anglaise\u2026 ou espagnole ?"},"content":{"rendered":"

On ne dispose pas encore d\u2019une histoire internationale des romance comics<\/em> \u2013 ou bandes dessin\u00e9es sentimentales \u2013 mais le Britannique David Roach (\u00e0 la fois dessinateur et chercheur) y a apport\u00e9 une contribution significative en signant l\u2019anthologie A Very British Affair. The best of classic romance comics<\/em>. Ce gros livre cartonn\u00e9, paru d\u00e9but 2023 chez Rebellion, \u00e0 Oxford, rassemble plus de cinquante histoires courtes initialement parues dans les ann\u00e9es 1950 \u00e0 1970.<\/p>\n

\"\"<\/p>\n

Le premier romance comic <\/em>publi\u00e9 sur le sol du Royaume-Uni fut Love Story Library<\/em>, lanc\u00e9 en septembre 1952 par Amalgamated Press (qui deviendra Fleetway Publications en 1959, soci\u00e9t\u00e9 dont le nom est rest\u00e9 davantage associ\u00e9 aux comics de guerre). Chaque num\u00e9ro proposait, au format poche, un r\u00e9cit unique, en 64 pages, dont les protagonistes \u00e9taient des jeunes hommes et femmes de vingt ou trente ans. Suivirent True Life<\/em> en 1954 et surtout, l\u2019ann\u00e9e suivante, le magazine Marilyn<\/em>, dont les sc\u00e9narios avaient pour principal pourvoyeur Peter O\u2019Donnell, le futur cr\u00e9ateur de Modesty Blaise<\/em>. Puis vinrent encore Mirabelle<\/em>, Glamour<\/em>, Marty<\/em>, Famous Romance Library<\/em> (o\u00f9 les BD \u00e9taient des adaptations de romans sentimentaux) et enfin, en 1957, Valentine<\/em>. Dans ce dernier titre, la sc\u00e9nariste principale \u00e9tait Jenny Butterworth (femme du r\u00e9dacteur en chef), qui, de 1964 \u00e0 1977, allait \u00e9crire le tr\u00e8s d\u00e9lectable comic strip Tiffany Jones<\/em>, illustr\u00e9 par Pat Tourret, pour le Daily Sketch<\/em> et le Daily Mail<\/em>. La majorit\u00e9 des histoires s\u00e9lectionn\u00e9es par Roach proviennent de Mirabelle <\/em>ou de Valentine<\/em>. Elles comptent rarement plus de cinq ou six pages.<\/p>\n

\"\"

Couverture de \u00ab\u00a0Mirabelle\u00a0\u00bb n\u00b0 1, 10 septembre 1956<\/p><\/div>\n

Dans le dossier que la revue 9e<\/sup> Art<\/em> consacra, en son n\u00b0 6 (janvier 2001), \u00e0 \u00ab La bande dessin\u00e9e des filles \u00bb, Mike Kidson avait \u00e9crit un article sur \u00ab Cinquante ans d\u2019illustr\u00e9s anglais pour les filles \u00bb. Les titres qu\u2019il \u00e9voquait (tels Girl<\/em>, Bunty<\/em>, Princess<\/em> ou June<\/em>) ciblaient un public de fillettes ou d\u2019adolescentes. Il n\u2019avait pas un mot pour les romance comics<\/em> mentionn\u00e9s ci-dessus, qui s\u2019adressaient, eux, principalement aux \u00e9tudiantes et aux jeunes femmes. L\u2019introduction \u00e0 l\u2019anthologie A Very British Affair<\/em> constitue donc un parfait compl\u00e9ment \u00e0 son \u00e9tude, qui nous permet d\u2019avoir une vue d\u2019ensemble de la production de bandes dessin\u00e9es d\u2019outre-Manche \u00e0 destination du lectorat f\u00e9minin.<\/p>\n

La liste des dessinateurs repr\u00e9sent\u00e9s dans l\u2019ouvrage fait appara\u00eetre que l\u2019essentiel de cette production \u00e9tait d\u00fb \u00e0 des dessinateurs \u00e9trangers, parmi lesquels figurent plus d\u2019un nom de r\u00e9putation internationale. Des Italiens (Guido Buzzelli, Ferdinando Tacconi, Antonio Toldo\u2026) et, majoritairement, des Espagnols, parmi lesquels Jes\u00fas Blasco, Jos\u00e9 Bielsa, Esteban Maroto, Manfred Sommer et Victor de la Fuente, pour ne citer que les plus connus en France. D\u2019artiste fran\u00e7ais, je n\u2019ai rep\u00e9r\u00e9 que Daniel Billon (1927-2004), qui fut un collaborateur de Pilote<\/em> et signa une reprise de Barbarella<\/em>, sur sc\u00e9nario de Jean-Claude Forest. La pr\u00e9dominance des Espagnols s\u2019explique par le fait que nombre de ces histoires \u00e9taient command\u00e9es \u00e0 l\u2019agence barcelonaise Selecciones Ilustradas, fond\u00e9e par Josep Toutain, qui procurait aux artistes affili\u00e9s des travaux destin\u00e9s \u00e0 des publications \u00e9trang\u00e8res. Il est du reste vraisemblable que c\u2019est l\u2019int\u00e9r\u00eat que David Roach porte \u00e0 la bande dessin\u00e9e espagnole (dont t\u00e9moignent plusieurs de ses livres pr\u00e9c\u00e9dents, notamment Masters of Spanish Comic Art <\/em>en 2017) qui l\u2019a conduit \u00e0 s\u2019int\u00e9resser aux romance comics<\/em>.<\/p>\n

\"Blasco

\u00ab I like it \u00bb, planche 3, texte J. Butterworth, dessin J. Blasco, paru dans \u00ab\u00a0Valentine\u00a0\u00bb le 29\/02\/1964<\/p><\/div>\n

Quel que soit l\u2019incontestable savoir-faire des artistes mis \u00e0 contribution, et en d\u00e9pit de scripts quelquefois malicieux et empreints d\u2019ironie, il serait faux de pr\u00e9tendre que ces travaux de commande, ces r\u00e9cits produits \u00e0 la cha\u00eene par des dessinateurs mercenaires, t\u00e9moignent d\u2019une grande \u00e9l\u00e9vation artistique ou d\u2019un v\u00e9ritable investissement personnel. Ils n\u2019en constituent pas moins un corpus digne d\u2019int\u00e9r\u00eat, dont les ressorts narratifs et l\u2019esth\u00e9tique particuli\u00e8re (rapport \u00e0 la mode, importance des gros plans, croisement avec des effets venus du 7e<\/sup> Art ou d\u2019autres genres, telles \u2013 c\u2019est inattendu \u2013 les BD d\u2019\u00e9pouvante) m\u00e9riteraient une \u00e9tude plus approfondie.<\/p>\n","protected":false},"excerpt":{"rendered":"

On ne dispose pas encore d\u2019une histoire internationale des romance comics \u2013 ou bandes dessin\u00e9es sentimentales \u2013 mais le Britannique David Roach (\u00e0 la fois dessinateur et chercheur) y a apport\u00e9 une contribution significative en signant l\u2019anthologie A Very British Affair. The best of classic romance comics. Ce gros livre cartonn\u00e9, paru d\u00e9but 2023 […]<\/p>\n","protected":false},"author":1,"featured_media":2770,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-2765","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nRomances \u00e0 la sauce anglaise\u2026 ou espagnole ? - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/01\/24\/romances-a-la-sauce-anglaise-ou-espagnole\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Romances \u00e0 la sauce anglaise\u2026 ou espagnole ? - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"On ne dispose pas encore d\u2019une histoire internationale des romance comics \u2013 ou bandes dessin\u00e9es sentimentales \u2013 mais le Britannique David Roach (\u00e0 la fois dessinateur et chercheur) y a apport\u00e9 une contribution significative en signant l\u2019anthologie A Very British Affair. 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