{"id":2747,"date":"2024-01-15T00:05:29","date_gmt":"2024-01-14T23:05:29","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=2747"},"modified":"2024-01-15T16:32:30","modified_gmt":"2024-01-15T15:32:30","slug":"festival-dangouleme-le-retour-du-refoule","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/01\/15\/festival-dangouleme-le-retour-du-refoule\/","title":{"rendered":"Festival d\u2019Angoul\u00eame : le retour du refoul\u00e9"},"content":{"rendered":"<p>En janvier 2023, pour marquer le demi-si\u00e8cle d\u2019existence du Festival international de la bande dessin\u00e9e d\u2019Angoul\u00eame, les \u00e9ditions PLG faisaient para\u00eetre un livre intitul\u00e9 <em>Le 50<sup>e<\/sup><\/em>. Sous la plume de Philippe Tomblaine s\u2019y d\u00e9roulait, ann\u00e9e apr\u00e8s ann\u00e9e, la chronique des vicissitudes travers\u00e9es par la manifestation, avec son cort\u00e8ge d\u2019anecdotes, son programme d\u2019expositions, son palmar\u00e8s toujours renouvel\u00e9s. Il s\u2019agissait d\u2019un livre avant tout factuel, dans la continuit\u00e9 de celui d\u00e9j\u00e0 paru en 1993, <em>Le Grand 20<sup>e<\/sup><\/em>, d\u2019Herv\u00e9 Cannet.<\/p>\n<p>Les questions qui f\u00e2chent, les pol\u00e9miques dont le festival n\u2019a cess\u00e9 d\u2019\u00eatre accompagn\u00e9 n\u2019avaient pas droit de cit\u00e9 dans ces pages. Et pour cause\u00a0: les deux Philippe (Morin, l\u2019\u00e9diteur, et Tomblaine, l\u2019auteur) avaient pour partenaire l\u2019Association FIBD (dont, d\u2019ailleurs, Tomblaine est le vice-Pr\u00e9sident) qui a ouvert ses archives et qui a veill\u00e9 \u00e0 ce que la manifestation \u00e9chapp\u00e2t aux critiques. Point de libert\u00e9 d\u2019expression quand il s\u2019agit de grand-messe du Neuvi\u00e8me Art\u00a0: seule devait s\u2019exprimer la version certifi\u00e9e, ripolin\u00e9e, autoris\u00e9e ! D\u2019ailleurs le livre \u00e9tait introduit par un mot du maire d\u2019Angoul\u00eame et un autre du Pr\u00e9sident de la Charente, histoire de bien marquer son caract\u00e8re officiel. Et Delphine Groux, fille de l\u2019un des fondateurs et gardienne du temple, a personnellement veill\u00e9 \u00e0 ce qu\u2019un certain nombre de sujets g\u00eanants ne fussent pas abord\u00e9s (ce qui n\u2019a pas emp\u00each\u00e9 l\u2019ouvrage d\u2019annoncer, au titre de la programmation de 2023, une certaine exposition Bastien Viv\u00e8s qui, comme l\u2019on sait, allait \u00eatre annul\u00e9e sous la pression des circonstances).<\/p>\n<p>Apprenant cela, de mauvais esprits nomm\u00e9s Philippe Capart et Nicolas Finet ont aussit\u00f4t entrepris de mener l\u2019enqu\u00eate afin de proposer une version diff\u00e9rente\u00a0: <em>ANGOULEME BD, une contre-histoire (1974-2024)<\/em> para\u00eetra \u00e0 la fin de ce mois, pour la 51<sup>e<\/sup> \u00e9dition, \u00e0 la 5<sup>e<\/sup> Couche, maison bruxelloise r\u00e9put\u00e9e pour ses coups d\u2019\u00e9clat (qu\u2019il s\u2019agisse, par exemple, des faux <em>Journaux <\/em>de Judith Forest ou de <em>Katz<\/em>, d\u00e9tournement du <em>Maus<\/em> de Spiegelman). Les deux comp\u00e8res ont rencontr\u00e9 et interrog\u00e9 de nombreuses personnes associ\u00e9es, \u00e0 un titre ou un autre, \u00e0 l\u2019histoire du festival, dont Jean-Michel Boucheron, l\u2019ancien maire, qui a droit \u00e0 un chapitre entier \u2013 alors que dans le Tomblaine on apprenait incidemment, page 80, que ledit Boucheron avait laiss\u00e9 derri\u00e8re lui \u00ab un gouffre financier (39,5 millions d\u2019euros actuels) \u00bb, en tout et pour tout trois lignes pour un s\u00e9isme qui secoua profond\u00e9ment et durablement le Landerneau charentais.<\/p>\n<p><img decoding=\"async\" class=\"lazyload wp-image-2753 size-medium alignright\" src=\"https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/01\/couve-50eme-202x300.jpg\" data-orig-src=\"https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/01\/couve-50eme-202x300.jpg\" alt=\"\" width=\"202\" height=\"300\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27202%27%20height%3D%27300%27%20viewBox%3D%270%200%20202%20300%27%3E%3Crect%20width%3D%27202%27%20height%3D%27300%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/01\/couve-50eme-200x297.jpg 200w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/01\/couve-50eme-202x300.jpg 202w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/01\/couve-50eme-400x595.jpg 400w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/01\/couve-50eme.jpg 600w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 202px) 100vw, 202px\" \/><img decoding=\"async\" class=\"lazyload alignright wp-image-2750 size-medium\" src=\"https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/01\/Capart-Finet-1-233x300.png\" data-orig-src=\"https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/01\/Capart-Finet-1-233x300.png\" alt=\"\" width=\"233\" height=\"300\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27233%27%20height%3D%27300%27%20viewBox%3D%270%200%20233%20300%27%3E%3Crect%20width%3D%27233%27%20height%3D%27300%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/01\/Capart-Finet-1-200x257.png 200w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/01\/Capart-Finet-1-233x300.png 233w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/01\/Capart-Finet-1-400x514.png 400w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/01\/Capart-Finet-1-600x771.png 600w, https:\/\/www.thierry-groensteen.fr\/wp-content\/uploads\/2024\/01\/Capart-Finet-1.png 637w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 233px) 100vw, 233px\" \/><\/p>\n<p>Je fais moi aussi partie des t\u00e9moins interrog\u00e9s. On m\u2019a donn\u00e9 \u00e0 relire mes propos, mais seulement au moment o\u00f9, le livre \u00e9tant sous presse, il n\u2019\u00e9tait plus question d\u2019y rien modifier. Me sentant en confiance avec Philippe Capart venu passer une apr\u00e8s-midi chez moi, j\u2019ai parl\u00e9 sans filtre ni langue de bois. N\u2019occupant plus aucune fonction institutionnelle, j\u2019estime d\u2019ailleurs avoir toute ma libert\u00e9 de parole. Reste que mes propos n\u2019ont fait l\u2019objet d\u2019aucune r\u00e9criture, ils sont restitu\u00e9s dans le style libre et rel\u00e2ch\u00e9 de la conversation orale. Nul doute qu\u2019ils d\u00e9plairont \u00e0 certains \u2013 et d\u2019abord aux \u00e9lus locaux pour lesquels je ne cache pas mon peu d\u2019estime. Si j\u2019avais pu le faire, j\u2019aurais donn\u00e9 une tournure plus polic\u00e9e \u00e0 mes d\u00e9clarations, mais sur le fond, naturellement, je persiste, assume et signe.<\/p>\n<p>(Au moment o\u00f9 j&rsquo;\u00e9cris ce billet, je ne connais de cette <em>Contre-Histoire<\/em> que ce qui rel\u00e8ve de ma participation, et ne porte donc aucun jugement sur le livre en tant que tel.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En janvier 2023, pour marquer le demi-si\u00e8cle d\u2019existence du Festival international de la bande dessin\u00e9e d\u2019Angoul\u00eame, les \u00e9ditions PLG faisaient para\u00eetre un livre intitul\u00e9 Le 50e. Sous la plume de Philippe Tomblaine s\u2019y d\u00e9roulait, ann\u00e9e apr\u00e8s ann\u00e9e, la chronique des vicissitudes travers\u00e9es par la manifestation, avec son cort\u00e8ge d\u2019anecdotes, son programme d\u2019expositions, son palmar\u00e8s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2749,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-2747","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Festival d\u2019Angoul\u00eame : le retour du refoul\u00e9 - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2024\/01\/15\/festival-dangouleme-le-retour-du-refoule\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Festival d\u2019Angoul\u00eame : le retour du refoul\u00e9 - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"En janvier 2023, pour marquer le demi-si\u00e8cle d\u2019existence du Festival international de la bande dessin\u00e9e d\u2019Angoul\u00eame, les \u00e9ditions PLG faisaient para\u00eetre un livre intitul\u00e9 Le 50e. 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