{"id":2654,"date":"2023-12-07T00:05:10","date_gmt":"2023-12-06T23:05:10","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=2654"},"modified":"2023-12-01T13:05:53","modified_gmt":"2023-12-01T12:05:53","slug":"lart-poetique-de-marion-fayolle","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2023\/12\/07\/lart-poetique-de-marion-fayolle\/","title":{"rendered":"L\u2019art po\u00e9tique de Marion Fayolle"},"content":{"rendered":"

Je viens seulement de prendre connaissance du petit livre Fond perdu<\/em> (Magnani, 2022), dans lequel Marion Fayolle r\u00e9pond aux questions de son ami historien de l\u2019art Tony C\u00f4me. Elle y \u00e9voque notamment les origines autobiographiques de ses personnages \u00e0 trous, parlant de son p\u00e8re qui avait subi l\u2019ablation d\u2019un poumon et une trach\u00e9otomie. Origine soigneusement dissimul\u00e9e dans l\u2019ouvrage que ces d\u00e9boires m\u00e9dicaux lui avaient inspir\u00e9\u00a0: \u00ab Dans La Tendresse des pierres<\/em>, je ne montre jamais l\u2019h\u00f4pital, la maladie, la vieillesse, alors qu\u2019il n\u2019est question que de \u00e7a \u00bb (p. 10). La repr\u00e9sentation du personnage figurant son p\u00e8re y \u00e9tait instable\u00a0: \u00ab tant\u00f4t immense, tant\u00f4t tout petit, une silhouette \u00e9nigmatique, un rocher, etc. \u00bb<\/p>\n

\"Marion

Case tir\u00e9e de \u00ab\u00a0La Tendresse des pierres\u00a0\u00bb \u00a9 \u00e9ditions Magnani<\/p><\/div>\n

Un autre de ses livres, Les Amours suspendues<\/em> (2017), part moins de l\u2019exp\u00e9rience intime que d\u2019interrogations plus larges\u00a0: \u00ab Il s\u2019agissait de soulever des questions sur la fronti\u00e8re, sur ce qui est autoris\u00e9 ou non, sur les choix que l\u2019on fait et les vies que l\u2019on est forc\u00e9 d\u2019abandonner. \u00bb (p. 16)<\/p>\n

Dans un article paru voici quelque temps dans le huiti\u00e8me num\u00e9ro de Closure<\/em>, une revue scientifique en ligne en langue allemande (https:\/\/www.closure.uni-kiel.de\/closure8\/groensteen<\/a>), je m\u2019interrogeais sur \u00ab L\u2019en-de\u00e7a du personnage \u00bb en questionnant le travail d\u2019une demi-douzaine d\u2019auteurs et d\u2019autrices, parmi lesquel.le.s Marion Fayolle. J\u2019\u00e9crivais que, dans les deux albums cit\u00e9s plus haut, \u00ab on voit s\u2019\u00e9battre des hommes et des femmes aux prises avec\u00a0la vie, la mort, le d\u00e9sir, le fantasme, des hommes et des femmes engag\u00e9s dans des relations familiales, affectives, amoureuses et sexuelles. Si Marion Fayolle aborde la condition humaine dans toutes ses dimensions, ses figures, d\u00e9pourvues d\u2019identit\u00e9 sociale ou professionnelle, dot\u00e9s d\u2019expressions physionomiques minimalistes, ne semblent pourtant pas remplir les conditions pour acc\u00e9der au rang d\u2019ego exp\u00e9rimentaux<\/em>, de personnages \u00e0 part enti\u00e8re. \u00bb<\/p>\n

\"Marion<\/p>\n

Fond perdu<\/em> comporte maints passages dans lesquels la dessinatrice s\u2019en explique\u00a0: \u00ab Mes personnages sont des sortes de pots, dans lesquels je mets des choses que j\u2019extrais de la vraie vie, qui viennent d\u2019un homme, d\u2019une femme, d\u2019un ressenti personnel, d\u2019une anecdote. (\u2026) Les personnages, ce sont des petits d\u00e9guisements, aussi. Je me fiche un peu des personnages eux-m\u00eames. \u00bb (p. 18) \u00ab Mes personnages peuvent se scinder en deux, s\u2019\u00e9mietter, sans souffrir ni saigner, car ce ne sont pas vraiment des humains, mais plut\u00f4t des enveloppes, des \u00e9crans, des silhouettes th\u00e9oriques. \u00bb (p. 25) Et enfin\u00a0: \u00ab Il y a chez moi cette obsession \u00e0 rendre visible, \u00e0 regarder dans les corps, \u00e0 voir par transparence l\u2019int\u00e9riorit\u00e9 des gens, cette fascination pour l\u2019effeuillage, cette volont\u00e9 de d\u00e9nuder des personnages d\u00e9j\u00e0 nus, de les d\u00e9v\u00eatir m\u00eame de leur peau, de chercher sans cesse leur noyau. \u00bb (p. 80)<\/p>\n

Outre un hommage appuy\u00e9 \u00e0 Guillaume D\u00e9g\u00e9, qui fut son professeur aux Arts d\u00e9co de Strasbourg, je retiens enfin de ce dialogue passionnant les lignes suivantes, qui me paraissent concentrer l\u2019art po\u00e9tique de l\u2019autrice de L\u2019Homme en pi\u00e8ces<\/em>\u00a0: \u00ab On se dit toujours qu\u2019avec la bande dessin\u00e9e tout est possible, qu\u2019on peut faire partir les personnages dans l\u2019espace, leur offrir un super d\u00e9cor, que \u00e7a ne co\u00fbte rien. Moi (\u2026), je r\u00e9duis tout comme si je devais faire un film avec un budget tr\u00e8s serr\u00e9. (\u2026) Pas de parole, pas de chaussure, pas de d\u00e9cor, pas de case, pas de pr\u00e9nom, pas de m\u00e9tier, pas d\u2019\u00e2ge, pas de zoom, pas de contre-plong\u00e9e, pas de model\u00e9, pas de perspective, pas de bulle, pas de l\u00e8vre, pas de cil, pas de d\u00e9tail, pas d\u2019organe, pas de sang, pas d\u2019\u00e9poque, pas d\u2019argent. \u00bb (p. 21-22)<\/p>\n

Mais du talent et de la sensibilit\u00e9 \u00e0 revendre.<\/p>\n

Ayant re\u00e7u carte blanche pour en r\u00e9am\u00e9nager l\u2019espace et concevoir des dispositifs interactifs in\u00e9dits, Marion Fayolle investira dans quelques mois la \u00ab galerie des enfants \u00bb du Centre Pompidou.<\/p>\n","protected":false},"excerpt":{"rendered":"

Je viens seulement de prendre connaissance du petit livre Fond perdu (Magnani, 2022), dans lequel Marion Fayolle r\u00e9pond aux questions de son ami historien de l\u2019art Tony C\u00f4me. Elle y \u00e9voque notamment les origines autobiographiques de ses personnages \u00e0 trous, parlant de son p\u00e8re qui avait subi l\u2019ablation d\u2019un poumon et une trach\u00e9otomie. Origine […]<\/p>\n","protected":false},"author":1,"featured_media":2666,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-2654","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nL\u2019art po\u00e9tique de Marion Fayolle - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2023\/12\/07\/lart-poetique-de-marion-fayolle\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019art po\u00e9tique de Marion Fayolle - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"Je viens seulement de prendre connaissance du petit livre Fond perdu (Magnani, 2022), dans lequel Marion Fayolle r\u00e9pond aux questions de son ami historien de l\u2019art Tony C\u00f4me. 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