{"id":2613,"date":"2023-11-01T00:05:19","date_gmt":"2023-10-31T23:05:19","guid":{"rendered":"https:\/\/www.thierry-groensteen.fr\/?p=2613"},"modified":"2023-12-05T17:10:25","modified_gmt":"2023-12-05T16:10:25","slug":"le-grand-retour-de-maitre-neaud","status":"publish","type":"post","link":"https:\/\/www.thierry-groensteen.fr\/index.php\/2023\/11\/01\/le-grand-retour-de-maitre-neaud\/","title":{"rendered":"Le grand retour de ma\u00eetre Neaud"},"content":{"rendered":"

L\u2019\u00e9v\u00e9nement BD de cet automne, et m\u00eame de l\u2019ann\u00e9e 2023\u00a0? Sans conteste, \u00e0 mes yeux, la parution, chez Delcourt, de l\u2019album de Fabrice Neaud Le Dernier Sergent<\/em>, qui inaugure un nouveau cycle de son Journal<\/em>.<\/p>\n

\"\"<\/p>\n

Il faut rappeler aux plus jeunes combien les 4 tomes dudit Journal<\/em> publi\u00e9s chez ego comme X entre 1996 et 2002 avaient marqu\u00e9 une g\u00e9n\u00e9ration de lecteurs et constituent, \u00e0 jamais, une pierre angulaire de l\u2019expression de soi en bande dessin\u00e9e. Depuis vingt ans nous \u00e9tions orphelins de cette voix. On ne reviendra pas ici sur les raisons qui avaient conduit l\u2019auteur \u00e0 interrompre le cours de ce qui devait \u00eatre l\u2019\u0153uvre d\u2019une vie. L’important est que les \u00e9ditions Delcourt, apr\u00e8s avoir r\u00e9\u00e9dit\u00e9 les premiers tomes, nous gratifient \u00e0 pr\u00e9sent d\u2019une nouveaut\u00e9 qui en annonce d\u2019autres, et c\u2019est un peu comme si Marcel Proust, apr\u00e8s s\u2019\u00eatre tu deux d\u00e9cennies durant, nous donnait la fin de La Recherche<\/em> (je cite \u00e0 dessein un \u00e9crivain plusieurs fois invoqu\u00e9 par Neaud lui-m\u00eame).<\/p>\n

Aucun auteur plus que Fabrice Neaud n\u2019est propre \u00e0 convaincre son lecteur, par l\u2019ampleur de son propos et le raffinement de ses proc\u00e9d\u00e9s, que la bande dessin\u00e9e est pleinement une litt\u00e9rature. Aucun ne s\u2019y entend comme lui \u00e0 diss\u00e9quer et \u00e0 restituer les moindres de ses exp\u00e9riences sentimentales, sensorielles et intellectuelles, en conjuguant les ressources et en accordant les rythmes du texte et de l\u2019image.<\/p>\n

\u00ab La vraie vie, la vie enfin d\u00e9couverte et \u00e9claircie, la seule vie par cons\u00e9quent v\u00e9cue, c\u2019est la litt\u00e9rature \u00bb, \u00e9crivait Proust (cit\u00e9 p. 415). Fabrice Neaud ne peut pas reprendre exactement cette phrase \u00e0 son compte. Son histoire est celle d\u2019un homme qui essaie d\u2019avoir une vie (amoureuse et sexuelle, notamment), et qui, condamn\u00e9 \u00e0 l\u2019\u00e9chec, \u00e0 la frustration et \u00e0 la solitude, produit de la litt\u00e9rature (dessin\u00e9e) en guise de compensation et d\u2019exutoire, le processus alchimique de la cr\u00e9ation transmutant la souffrance en \u0153uvre d\u2019art.<\/p>\n

\"\"

D\u00e9tail de la page 65. \u00a9 \u00e9ditions Delcourt<\/p><\/div>\n

Il y a deux raisons qui emp\u00eachent de prendre \u00e0 la lecture de ces pages un plaisir sans m\u00e9lange. La premi\u00e8re tient \u00e0 la personnalit\u00e9 de l\u2019auteur, aux antipodes du mec \u00ab cool \u00bb et \u00ab sympa \u00bb \u00e9pingl\u00e9 page 353. L\u2019h\u00e9t\u00e9ronormalit\u00e9 et l\u2019homophobie ambiantes le renvoient incessamment \u00e0 son statut de paria. Aussi Fabrice est-il un homme en col\u00e8re, cultivant une \u00ab vision n\u00e9gative de la vie \u00bb (p. 395) et une \u00ab d\u00e9testation de soi-m\u00eame \u00bb (p. 209). Son isolement a raidi son caract\u00e8re et il manque terriblement d\u2019indulgence pour les autres, ne passant rien \u00e0 personne. Du moins est-ce l\u2019image qu\u2019il nous pr\u00e9sente, s\u2019\u00e9rigeant d\u2019abord en impitoyable censeur de lui-m\u00eame. Il faut reconna\u00eetre que cet homme sensible, m\u00e9lomane, cultiv\u00e9, qui en de rares occasions peut m\u00eame se r\u00e9v\u00e9ler un gai compagnon, ne nous donne pas forc\u00e9ment tr\u00e8s envie de le fr\u00e9quenter tr\u00e8s assid\u00fbment, f\u00fbt-ce entre les pages d\u2019un livre.<\/p>\n

La deuxi\u00e8me raison est le caract\u00e8re trop souvent docte et ampoul\u00e9 de sa langue, le manque de simplicit\u00e9 de ses choix lexicaux et syntaxiques. Neaud sur\u00e9crit. Il suffit de consid\u00e9rer le paratexte de ce nouvel opus, avec ces titres en cascade\u00a0:<\/p>\n

Esth\u00e9tique des brutes<\/em><\/p>\n

Le Dernier Sergent 1<\/em><\/p>\n

Les Guerres immobiles<\/em><\/p>\n

Avril 1998-1er<\/sup> avril 2000<\/em><\/p>\n

Que signifie cet inextricable \u00e9chafaudage, propre \u00e0 d\u00e9courager le lecteur d\u00e8s le seuil de l\u2019ouvrage\u00a0? Journal<\/em>, c\u2019\u00e9tait tout de m\u00eame plus direct et moins alambiqu\u00e9.<\/p>\n

Mais on doit tout pardonner \u00e0 l\u2019auteur de ce \u00ab projet autobiographique d\u00e9pressiog\u00e8ne \u00bb (p. 380), tant son remarquable talent \u00e9clate \u00e0 chaque page. Son inventivit\u00e9 en mati\u00e8re de d\u00e9coupage, d\u2019entrelacs entre le verbal et le visuel, de variation de rythme, de surgissement de moments \u00e9piphaniques, de recours aux m\u00e9taphores, force l\u2019admiration. Et l\u2019acuit\u00e9 descriptive de son dessin a peu d\u2019\u00e9quivalents\u00a0: il n\u2019est pas seulement un portraitiste \u2013 et un autoportraitiste \u2013 hors pair (comme le souligne Didier Lestrade dans sa pr\u00e9face) mais aussi un dessinateur qui a le g\u00e9nie des lieux et un formidable paysagiste (dans ce registre, il a pour rival Etienne Davodeau, comme l\u2019atteste encore son r\u00e9cent album Loire<\/em>. Mais Davodeau utilise un minimum de traits, quand Neaud, au contraire, joue de leur prolif\u00e9ration).<\/p>\n

Lire Le Dernier Sergent<\/em>, c\u2019est prendre, \u00e0 chaque page, une le\u00e7on de bande dessin\u00e9e.<\/p>\n

Fabrice m\u2019avait demand\u00e9 de pr\u00e9facer le premier tome de son Journal<\/em>. Je mesure aujourd\u2019hui l\u2019immense honneur que repr\u00e9sente le fait d\u2019avoir \u00e9t\u00e9 associ\u00e9 aux d\u00e9buts de cette \u0153uvre majeure.<\/p>\n

\"\"

La d\u00e9dicace que Fabrice m’avait faite en 1996 sur mon exemplaire du tome 1 du \u00ab\u00a0Journal\u00a0\u00bb.<\/p><\/div>\n

Un dernier mot\u00a0: \u00e0 plusieurs reprises, dans son livre, l\u2019auteur oppose \u00ab\u00a0bande dessin\u00e9e ind\u00e9 \u00bb et \u00ab bande dessin\u00e9e mainstream \u00bb. Ces deux mondes, pourtant, ne paraissent pas si \u00e9tanches, si l\u2019on consid\u00e8re que son Journal<\/em>, nagu\u00e8re d\u00e9velopp\u00e9 chez ego comme x, n\u2019a pas trouv\u00e9 nouvel h\u00e9bergeur \u00e0 l\u2019Association, chez Corn\u00e9lius ou Atrabile, mais bien chez Delcourt.<\/p>\n","protected":false},"excerpt":{"rendered":"

L\u2019\u00e9v\u00e9nement BD de cet automne, et m\u00eame de l\u2019ann\u00e9e 2023\u00a0? Sans conteste, \u00e0 mes yeux, la parution, chez Delcourt, de l\u2019album de Fabrice Neaud Le Dernier Sergent, qui inaugure un nouveau cycle de son Journal. Il faut rappeler aux plus jeunes combien les 4 tomes dudit Journal publi\u00e9s chez ego comme X entre 1996 […]<\/p>\n","protected":false},"author":1,"featured_media":2615,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-2613","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mon-blog"],"acf":[],"yoast_head":"\nLe grand retour de ma\u00eetre Neaud - le site de Thierry Groensteen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thierry-groensteen.fr\/index.php\/2023\/11\/01\/le-grand-retour-de-maitre-neaud\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le grand retour de ma\u00eetre Neaud - le site de Thierry Groensteen\" \/>\n<meta property=\"og:description\" content=\"L\u2019\u00e9v\u00e9nement BD de cet automne, et m\u00eame de l\u2019ann\u00e9e 2023\u00a0? 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